The Ordeal of Richard Feverel: A History of a Father and SonMeredith, George
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The Ordeal of Richard Feverel: A History of a Father and Son
Meredith, George
Domestic fiction; England -- Fiction; Fathers and sons -- Fiction
They laughed and forgot the cause of their laughter, and the sun
dried his light river clothing, and they strolled toward the
blackbird's copse, and stood near a stile in sight of the foam of
the weir and the many-coloured rings of eddies streaming forth from
it.
Richard's boat, meanwhile, had contrived to shoot the weir, and was
swinging, bottom upward, broadside with the current down the rapid
backwater.
"Will you let it go?" said the damsel, eyeing it curiously.
"It can't be stopped," he replied, and could have added: "What do I
care for it now!"
His old life was whirled away with it, dead, drowned. His new life
was with her, alive, divine.
She flapped low the brim of her hat. "You must really not come any
farther," she softly said.
"And will you go, and not tell me who you are?" he asked, growing
bold as the fears of losing her came across him. "And will you not
tell me before you go"--his face burned--"how you came by that--that
paper?"
She chose to select the easier question for answer: "You ought to
know me; we have been introduced." Sweet was her winning off-hand
affability.
"Then who, in heaven's name, are you? Tell me! I never could have
forgotten you."
"You have, I think," she said.
"Impossible that we could ever have met, and I forget you!"
She looked up at him.
"Do you remember Belthorpe?"
"Belthorpe! Belthorpe!" quoth Richard, as if he had to touch his
brain to recollect there was such a place. "Do you mean old Blaize's
farm?"
"Then I am old Blaize's niece." She tripped him a soft curtsey.
The magnetized youth gazed at her. By what magic was it that this
divine sweet creature could be allied with that old churl!
"Then what--what is your name?" said his mouth, while his eyes
added, "O wonderful creature! How came you to enrich the earth?"
"Have you forgot the Desboroughs of Dorset, too?" she peered at him
from a side-bend of the flapping brim.
"The Desboroughs of Dorset?" A light broke in on him. "And have you
grown to this? That little girl I saw there!"
He drew close to her to read the nearest features of the vision. She
could no more laugh off the piercing fervour of his eyes. Her
volubility fluttered under his deeply wistful look, and now neither
voice was high, and they were mutually constrained.
"You see," she murmured, "we are old acquaintances."
Richard, with his eyes still intently fixed on her, returned, "You
are very beautiful!"
The words slipped out. Perfect simplicity is unconsciously
audacious. Her overpowering beauty struck his heart, and, like an
instrument that is touched and answers to the touch, he spoke.
Public-domain text, read in full here on John Shaqi.
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