The Ordeal of Richard Feverel — CompleteMeredith, George
General
The Ordeal of Richard Feverel — Complete
Meredith, George
Domestic fiction; England -- Fiction; English fiction -- 19th century; Fathers and sons -- Fiction
Adrian at once beheld a charming scene in the interior of the study,
not unlike one that Benson had visually witnessed. For, like a wary
prophet, Benson, that he might have warrant for what he foretold of the
future, had a care to spy upon the present: warned haply by The
Pilgrim’s Scrip, of which he was a diligent reader, and which says,
rather emphatically: “Could we see Time’s full face, we were wise of
him.” Now to see Time’s full face, it is sometimes necessary to look
through keyholes, the veteran having a trick of smiling peace to you on
one cheek and grimacing confusion on the other behind the curtain.
Decency and a sense of honour restrain most of us from being thus wise
and miserable for ever. Benson’s excuse was that he believed in his
master, who was menaced. And moreover, notwithstanding his previous
tribulation, to spy upon Cupid was sweet to him. So he peeped, and he
saw a sight. He saw Time’s full face; or, in other words, he saw the
wiles of woman and the weakness of man: which is our history, as Benson
would have written it, and a great many poets and philosophers have
written it.
Yet it was but the plucking of the Autumn primrose that Benson had
seen: a somewhat different operation from the plucking of the Spring
one: very innocent! Our staid elderly sister has paler blood, and has,
or thinks she has, a reason or two about the roots. She is not all
instinct. “For this high cause, and for that I know men, and know him
to be the flower of men, I give myself to him!” She makes that lofty
inward exclamation while the hand is detaching her from the roots. Even
so strong a self-justification she requires. She has not that blind
glory in excess which her younger sister can gild the longest leap
with. And if, moth-like, she desires the star, she is nervously
cautious of candles. Hence her circles about the dangerous human flame
are wide and shy. She must be drawn nearer and nearer by a fresh
reason. She loves to sentimentalize. Lady Blandish had been
sentimentalizing for ten years. She would have preferred to pursue the
game. The dark-eyed dame was pleased with her smooth life and the soft
excitement that did not ruffle it. Not willingly did she let herself be
won.
“Sentimentalists,” says The Pilgrim’s Scrip, “are they who seek to
enjoy without incurring the Immense Debtorship for a thing done.”
“It is,” the writer says of Sentimentalism elsewhere, “a happy pastime
and an important science to the timid, the idle, and the heartless; but
a damning one to them who have anything to forfeit.”
Public-domain text, read in full here on John Shaqi.
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