The Ordeal of Richard Feverel — CompleteMeredith, George
General
The Ordeal of Richard Feverel — Complete
Meredith, George
Domestic fiction; England -- Fiction; English fiction -- 19th century; Fathers and sons -- Fiction
However, one who could set down the dying for love, as a
sentimentalism, can hardly be accepted as a clear authority. Assuredly
he was not one to avoid the incurring of the immense debtorship in any
way: but he was a bondsman still to the woman who had forsaken him, and
a spoken word would have made it seem his duty to face that public
scandal which was the last evil to him. What had so horrified the
virtuous Benson, Richard had already beheld in Daphne’s Bower; a simple
kissing of the fair white hand! Doubtless the keyhole somehow added to
Benson’s horror. The two similar performances, so very innocent, had
wondrous opposite consequences. The first kindled Richard to adore
Woman; the second destroyed Benson’s faith in Man. But Lady Blandish
knew the difference between the two. She understood why the baronet did
not speak; excused, and respected him for it. She was content, since
she must love, to love humbly, and she had, besides, her pity for his
sorrows to comfort her. A hundred fresh reasons for loving him arose
and multiplied every day. He read to her the secret book in his own
handwriting, composed for Richard’s Marriage Guide: containing Advice
and Directions to a Young Husband, full of the most tender wisdom and
delicacy; so she thought; nay, not wanting in poetry, though neither
rhymed nor measured. He expounded to her the distinctive character of
the divers ages of love, giving the palm to the flower she put forth,
over that of Spring, or the Summer rose. And while they sat and talked;
“My wound has healed,” he said. “How?” she asked. “At the fountain of
your eyes,” he replied, and drew the joy of new life from her blushes,
without incurring further debtorship for a thing done.
CHAPTER XXV
Let it be some apology for the damage caused by the careering hero, and
a consolation to the quiet wretches, dragged along with him at his
chariot-wheels, that he is generally the last to know when he has made
an actual start; such a mere creature is he, like the rest of us,
albeit the head of our fates. By this you perceive the true hero,
whether he be a prince or a pot-boy, that he does not plot; Fortune
does all for him. He may be compared to one to whom, in an electric
circle, it is given to carry the battery.
Public-domain text, read in full here on John Shaqi.
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