The Ordeal of Richard Feverel — CompleteMeredith, George
General
The Ordeal of Richard Feverel — Complete
Meredith, George
Domestic fiction; England -- Fiction; English fiction -- 19th century; Fathers and sons -- Fiction
One adventurous person betook herself to the Heralds’ College, and
there ascertained that a Griffin between two Wheatsheaves, which stood
on the title-page of the book, formed the crest of Sir Austin Absworthy
Bearne Feverel, Baronet, of Raynham Abbey, in a certain Western county
folding Thames: a man of wealth and honour, and a somewhat lamentable
history.
The outline of the baronet’s story was by no means new. He had a wife,
and he had a friend. His marriage was for love; his wife was a beauty;
his friend was a sort of poet. His wife had his whole heart, and his
friend all his confidence. When he selected Denzil Somers from among
his college chums, it was not on account of any similarity of
disposition between them, but from his intense worship of genius, which
made him overlook the absence of principle in his associate for the
sake of such brilliant promise. Denzil had a small patrimony to lead
off with, and that he dissipated before he left college; thenceforth he
was dependent upon his admirer, with whom he lived, filling a nominal
post of bailiff to the estates, and launching forth verse of some
satiric and sentimental quality; for being inclined to vice, and
occasionally, and in a quiet way, practising it, he was of course a
sentimentalist and a satirist, entitled to lash the Age and complain of
human nature. His earlier poems, published under the pseudonym of
Diaper Sandoe, were so pure and bloodless in their love passages, and
at the same time so biting in their moral tone, that his reputation was
great among the virtuous, who form the larger portion of the English
book-buying public. Election-seasons called him to ballad-poetry on
behalf of the Tory party. Diaper possessed undoubted fluency, but did
little, though Sir Austin was ever expecting much of him.
A languishing, inexperienced woman, whose husband in mental and in
moral stature is more than the ordinary height above her, and who, now
that her first romantic admiration of his lofty bearing has worn off,
and her fretful little refinements of taste and sentiment are not
instinctively responded to, is thrown into no wholesome household
collision with a fluent man, fluent in prose and rhyme. Lady Feverel,
when she first entered on her duties at Raynham, was jealous of her
husband’s friend. By degrees she tolerated him. In time he touched his
guitar in her chamber, and they played Rizzio and Mary together.
“For I am not the first who found
The name of Mary fatal!”
says a subsequent sentimental alliterative love-poem of Diaper’s.
Such was the outline of the story. But the baronet could fill it up. He
had opened his soul to these two. He had been noble Love to the one,
and to the other perfect Friendship. He had bid them be brother and
sister whom he loved, and live a Golden Age with him at Raynham. In
fact, he had been prodigal of the excellences of his nature, which it
is not good to be, and, like Timon, he became bankrupt, and fell upon
bitterness.
Public-domain text, read in full here on John Shaqi.
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