The Ordeal of Richard Feverel — CompleteMeredith, George
General
The Ordeal of Richard Feverel — Complete
Meredith, George
Domestic fiction; England -- Fiction; English fiction -- 19th century; Fathers and sons -- Fiction
So far certainly the experiment had succeeded. A comelier, bracer,
better boy was nowhere to be met. His promise was undeniable. The
vessel, too, though it lay now in harbour and had not yet been proved
by the buffets of the elements on the great ocean, had made a good
trial trip, and got well through stormy weather, as the records of the
Bakewell Comedy witnessed to at Raynham. No augury could be hopefuller.
The Fates must indeed be hard, the Ordeal severe, the Destiny dark,
that could destroy so bright a Spring! But, bright as it was, the
baronet relaxed nothing of his vigilant supervision. He said to his
intimates: “Every act, every fostered inclination, almost every
thought, in this Blossoming Season, bears its seed for the Future. The
living Tree now requires incessant watchfulness.” And, acting up to his
light, Sir Austin did watch. The youth submitted to an examination
every night before he sought his bed; professedly to give an account of
his studies, but really to recapitulate his moral experiences of the
day. He could do so, for he was pure. Any wildness in him that his
father noted, any remoteness or richness of fancy in his expressions,
was set down as incidental to the Blossoming Season. There is nothing
like a theory for binding the wise. Sir Austin, despite his rigid watch
and ward, knew less of his son than the servant of his household. And
he was deaf, as well as blind. Adrian thought it his duty to tell him
that the youth was consuming paper. Lady Blandish likewise hinted at
his mooning propensities. Sir Austin from his lofty watch-tower of the
System had foreseen it, he said. But when he came to hear that the
youth was writing poetry, his wounded heart had its reasons for being
much disturbed.
“Surely,” said Lady Blandish, “you knew he scribbled?”
“A very different thing from writing poetry,” said the baronet. “No
Feverel has ever written poetry.”
“I don’t think it’s a sign of degeneracy,” the lady remarked. “He
rhymes very prettily to me.”
A London phrenologist, and a friendly Oxford Professor of poetry,
quieted Sir Austin’s fears.
The phrenologist said he was totally deficient in the imitative
faculty; and the Professor, that he was equally so in the rhythmic, and
instanced several consoling false quantities in the few effusions
submitted to him. Added to this, Sir Austin told Lady Blandish that
Richard had, at his best, done what no poet had ever been known to be
capable of doing: he had, with his own hands, and in cold blood,
committed his virgin manuscript to the flames: which made Lady Blandish
sigh forth, “Poor boy!”
Public-domain text, read in full here on John Shaqi.
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