The Ordeal of Richard Feverel — CompleteMeredith, George
General
The Ordeal of Richard Feverel — Complete
Meredith, George
Domestic fiction; England -- Fiction; English fiction -- 19th century; Fathers and sons -- Fiction
“The Desboroughs of Dorset?” A light broke in on him. “And have you
grown to this? That little girl I saw there!”
He drew close to her to read the nearest features of the vision. She
could no more laugh off the piercing fervour of his eyes. Her
volubility fluttered under his deeply wistful look, and now neither
voice was high, and they were mutually constrained.
“You see,” she murmured, “we are old acquaintances.”
Richard, with his eyes still intently fixed on her, returned, “You are
very beautiful!”
The words slipped out. Perfect simplicity is unconsciously audacious.
Her overpowering beauty struck his heart, and, like an instrument that
is touched and answers to the touch, he spoke.
Miss Desborough made an effort to trifle with this terrible directness;
but his eyes would not be gainsaid, and checked her lips. She turned
away from them, her bosom a little rebellious. Praise so passionately
spoken, and by one who has been a damsel’s first dream, dreamed of
nightly many long nights, and clothed in the virgin silver of her
thoughts in bud, praise from him is coin the heart cannot reject, if it
would. She quickened her steps.
“I have offended you!” said a mortally wounded voice across her
shoulder.
That he should think so were too dreadful.
“Oh no, no! you would never offend me.” She gave him her whole sweet
face.
“Then why—why do you leave me?”
“Because,” she hesitated, “I must go.”
“No. You must not go. Why must you go? Do not go.”
“Indeed I must,” she said, pulling at the obnoxious broad brim of her
hat; and, interpreting a pause he made for his assent to her rational
resolve, shyly looking at him, she held her hand out, and said,
“Good-bye,” as if it were a natural thing to say.
The hand was pure white—white and fragrant as the frosted blossom of a
Maynight. It was the hand whose shadow, cast before, he had last night
bent his head reverentially above, and kissed—resigning himself
thereupon over to execution for payment of the penalty of such
daring—by such bliss well rewarded.
He took the hand, and held it, gazing between her eyes.
“Good-bye,” she said again, as frankly as she could, and at the same
time slightly compressing her fingers on his in token of adieu. It was
a signal for his to close firmly upon hers.
“You will not go?”
“Pray, let me,” she pleaded, her sweet brows suing in wrinkles.
“You will not go?” Mechanically he drew the white hand nearer his
thumping heart.
“I must,” she faltered piteously.
“You will not go?”
“Oh yes! yes!”
“Tell me. Do you wish to go?”
The question was a subtle one. A moment or two she did not answer, and
then forswore herself, and said, Yes.
“Do you—you wish to go?” He looked with quivering eyelids under hers.
A fainter Yes responded.
“You wish—wish to leave me?” His breath went with the words.
“Indeed I must.”
Her hand became a closer prisoner.
Public-domain text, read in full here on John Shaqi.
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