The Ordeal of Richard Feverel — Volume 3Meredith, George
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The Ordeal of Richard Feverel — Volume 3
Meredith, George
Domestic fiction; England -- Fiction; English fiction -- 19th century; Fathers and sons -- Fiction
However, one who could set down the dying for love, as a sentimentalism,
can hardly be accepted as a clear authority. Assuredly he was not one to
avoid the incurring of the immense debtorship in any way: but he was a
bondsman still to the woman who had forsaken him, and a spoken word would
have made it seem his duty to face that public scandal which was the last
evil to him. What had so horrified the virtuous Benson, Richard had
already beheld in Daphne's Bower; a simple kissing of the fair white
hand! Doubtless the keyhole somehow added to Benson's horror. The two
similar performances, so very innocent, had wondrous opposite
consequences. The first kindled Richard to adore Woman; the second
destroyed Benson's faith in Man. But Lady Blandish knew the difference
between the two. She understood why the baronet did not speak; excused,
and respected him for it. She was content, since she must love, to love
humbly, and she had, besides, her pity for his sorrows to comfort her. A
hundred fresh reasons for loving him arose and multiplied every day. He
read to her the secret book in his own handwriting, composed for
Richard's Marriage Guide: containing Advice and Directions to a Young
Husband, full of the most tender wisdom and delicacy; so she thought;
nay, not wanting in poetry, though neither rhymed nor measured. He
expounded to her the distinctive character of the divers ages of love,
giving the palm to the flower she put forth, over that of Spring, or the
Summer rose. And while they sat and talked; "My wound has healed," he
said. "How?" she asked. "At the fountain of your eyes," he replied, and
drew the joy of new life from her blushes, without incurring further
debtor ship for a thing done.
CHAPTER XXV
Let it be some apology for the damage caused by the careering hero, and a
consolation to the quiet wretches, dragged along with him at his chariot-
wheels, that he is generally the last to know when he has made an actual
start; such a mere creature is he, like the rest of us, albeit the head
of our fates. By this you perceive the true hero, whether he be a prince
or a pot-boy, that he does not plot; Fortune does all for him. He may be
compared to one to whom, in an electric circle, it is given to carry the
battery.
Public-domain text, read in full here on John Shaqi.
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