The Ordeal of Richard Feverel — Volume 3Meredith, George
General
The Ordeal of Richard Feverel — Volume 3
Meredith, George
Domestic fiction; England -- Fiction; English fiction -- 19th century; Fathers and sons -- Fiction
Adrian shrugged. "You're a young man of wonderful powers," he
emphatically observed; meaning to say that Richard quite beat him; for
which opinion Richard gravely thanked him, and with this they rode into
Bellingham.
There was young Tom Blaize at the station, in his Sunday beaver and gala
waistcoat and neckcloth, coming the lord over Tom Bakewell, who had
preceded his master in charge of the baggage. He likewise was bound for
London. Richard, as he was dismounting, heard Adrian say to the baronet:
"The Beast, sir, appears to be going to fetch Beauty;" but he paid no
heed to the words. Whether young Tom heard them or not, Adrian's look
took the lord out of him, and he shrunk away into obscurity, where the
nearest approach to the fashions which the tailors of Bellingham could
supply to him, sat upon him more easily, and he was not stiffened by the
eyes of the superiors whom he sought to rival. The baronet, Lady
Blandish, and Adrian remained on horseback, and received Richard's adieux
across the palings. He shook hands with each of them in the same kindly
cold way, elicitating from Adrian a marked encomium on his style of doing
it. The train came up, and Richard stepped after his uncle into one of
the carriages.
Now surely there will come an age when the presentation of science at war
with Fortune and the Fates, will be deemed the true epic of modern life;
and the aspect of a scientific humanist who, by dint of incessant
watchfulness, has maintained a System against those active forties,
cannot be reckoned less than sublime, even though at the moment he but
sit upon his horse, on a fine March morning such as this, and smile
wistfully to behold the son of his heart, his System incarnate, wave a
serene adieu to tutelage, neither too eager nor morbidly unwilling to try
his luck alone for a term of two weeks. At present, I am aware, an
audience impatient for blood and glory scorns the stress I am putting on
incidents so minute, a picture so little imposing. An audience will come
to whom it will be given to see the elementary machinery at work: who, as
it were, from some slight hint of the straws, will feel the winds of
March when they do not blow. To them will nothing be trivial, seeing
that they will have in their eyes the invisible conflict going on around
us, whose features a nod, a smile, a laugh of ours perpetually changes.
And they will perceive, moreover, that in real life all hangs together:
the train is laid in the lifting of an eyebrow, that bursts upon the
field of thousands. They will see the links of things as they pass, and
wonder not, as foolish people now do, that this great matter came out of
that small one.
Public-domain text, read in full here on John Shaqi.
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