The Ordeal of Richard Feverel — Volume 6Meredith, George
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The Ordeal of Richard Feverel — Volume 6
Meredith, George
Domestic fiction; England -- Fiction; English fiction -- 19th century; Fathers and sons -- Fiction
Mrs. Berry was not quite satisfied. "Not of his own accord he pass that
sweet young wife of his like a stranger this day, Sir Austin!"
"I must beg you not to intrude further, ma'am."
Mrs. Berry bobbed her bunch of a body out of the room.
"All's well that ends well," she said to herself. "It's just bad
inquirin' too close among men. We must take 'em somethin' like
Providence--as they come. Thank heaven! I kep' back the baby."
In Mrs. Berry's eyes the baby was the victorious reserve.
Adrian asked his chief what he thought of that specimen of woman.
"I think I have not met a better in my life," said the baronet, mingling
praise and sarcasm.
Clare lies in her bed as placid as in the days when she breathed; her
white hands stretched their length along the sheets, at peace from head
to feet. She needs iron no more. Richard is face to face with death for
the first time. He sees the sculpture of clay--the spark gone.
Clare gave her mother the welcome of the dead. This child would have
spoken nothing but kind commonplaces had she been alive. She was dead,
and none knew her malady. On her fourth finger were two wedding-rings.
When hours of weeping had silenced the mother's anguish, she, for some
comfort she saw in it, pointed out that strange thing to Richard,
speaking low in the chamber of the dead; and then he learnt that it was
his own lost ring Clare wore in the two worlds. He learnt from her
husband that Clare's last request had been that neither of the rings
should be removed. She had written it; she would not speak it.
"I beg of my husband, and all kind people who may have the care of me
between this and the grave, to bury me with my hands untouched."
The tracing of the words showed the bodily torment she was suffering, as
she wrote them on a scrap of paper found beside her pillow.
In wonder, as the dim idea grew from the waving of Clare's dead hand,
Richard paced the house, and hung about the awful room; dreading to enter
it, reluctant to quit it. The secret Clare had buried while she lived,
arose with her death. He saw it play like flame across her marble
features. The memory of her voice was like a knife at his nerves. His
coldness to her started up accusingly: her meekness was bitter blame.
On the evening of the fourth day, her mother came to him in his bedroom,
with a face so white that he asked himself if aught worse could happen to
a mother than the loss of her child. Choking she said to him, "Read
this," and thrust a leather-bound pocket-book trembling in his hand. She
would not breathe to him what it was. She entreated him not to open it
before her.
"Tell me," she said, "tell me what you think. John must not hear of it.
I have nobody to consult but you O Richard!"
"My Diary" was written in the round hand of Clare's childhood on the
first page. The first name his eye encountered was his own.
Public-domain text, read in full here on John Shaqi.
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