The Origin and Growth of the Healing Art: A Popular History of Medicine in All Ages and CountriesBerdoe, Edward
History
The Origin and Growth of the Healing Art: A Popular History of Medicine in All Ages and Countries
Berdoe, Edward
Medicine -- History
Legend tells that Æsculapius was the son of Apollo by Coronis, who
was killed by Artemis for unfaithfulness, and her body was about to
be burnt on the pyre, when Apollo snatched the boy out of the flames
and handed him over to the centaur Cheiron, who taught him how to cure
all diseases. Pindar tells the story of his instruction in the art of
medicine:—
“The rescued child he gave to share
Magnesian Centaur’s fostering care;
And learn of him the soothing art
That wards from man diseases’ dart.
Of those whom nature made to feel
Corroding ulcers gnaw their frame;
Or stones far hurled, or glittering steel,
All to the great physician came.
By summer’s heat or winter’s cold
Oppressed, of him they sought relief.
Each deadly pang his skill controlled,
And found a balm for every grief.
On some the force of charmed strains he tried,
To some the medicated draught applied;
Some limbs he placed the amulets around,
Some from the trunk he cut, and made the patient sound.”[331]
It was believed that he was even able to restore the dead to life.
According to one tradition, Æsculapius was once shut up in the house
of Glaucus, whom he was to cure, and while he was absorbed in thought
there came a serpent, which twined round his staff, and which he
killed. Then he saw another serpent, which came carrying in its mouth
a herb, with which it recalled to life the one that had been killed;
and the physician henceforth made use of the same herb to restore dead
men to life, the popular belief, even in these early times, evidently
being that what would cure serpents would be equally efficacious for
men. We may therefore consider the snake-entwined staff of the healing
god as the symbol of the early faith in the efficacy of experiments on
animals, though in this instance the experiment was on a dead one.
Public-domain text, read in full here on John Shaqi.
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