The Origin and Growth of the Healing Art: A Popular History of Medicine in All Ages and CountriesBerdoe, Edward
History
The Origin and Growth of the Healing Art: A Popular History of Medicine in All Ages and Countries
Berdoe, Edward
Medicine -- History
Æsculapius was only too successful a practitioner; for when he was
exercising his art upon Glaucus, Zeus killed the physician with a
flash of lightning, as he feared that men might gradually escape death
altogether. Others say the reason was that Pluto complained that by
such medical treatment the number of the dead was too much diminished.
On the request of Apollo, Zeus placed Æsculapius amongst the stars. His
wife was Epione (the soother). Homer mentions Podalirius and Machaon
as sons of Æsculapius, and the following are also said to have been
his sons and daughters—Janiscus, Alexenor, Aratus, Hygeia, Ægle, Iaso,
and Panaceia. Most of these, as Hygeia, the goddess of health, and
Panaceia, the all-healing, it will be seen, are merely personifications
of the powers ascribed to their father. There is no doubt that facts
are the basis of the Æsculapian story. The divinity was worshipped all
over Greece. His temples were for the most part built in mountainous
and healthy places, and as often as possible in the neighbourhood
of a medicinal spring; in a sense they became the prototypes of our
hospitals and medical schools. Multitudes of sick persons visited them,
and the priests found it to their interest to study diseases and their
remedies; for though faith and religious fervour may do much for the
sick, the art of the physician and the hand of the surgeon are adjuncts
by no means to be despised even in a temple clinic. The chief of the
Æsculapian temples was at Epidaurus; there no one was permitted to die
and no woman to give birth to a child. The connection of the serpent
with the divinity probably arose from the idea that serpents represent
prudence and renovation, and have the power of discovering the secret
virtues of healing plants.
The idea of the serpent twined round the rod of Æsculapius is that
“as sickness comes from him, from him too must or may come the
healing.”[332] The knots on the staff are supposed to symbolize the
many knotty points which arise in the practice of physic.
MINERVA was the patroness of all the arts and trades; at her festivals
she was invoked by all who desired to distinguish themselves in
medicine, as well as by the patients whom they failed to cure. As the
goddess of intelligence and inventiveness, she was the Greek patroness
of physicians, and was the same deity as Pallas Athene, who bestows
health and keeps off sickness.
ARTEMIS, or DIANA, as the Romans called the Greek goddess, was a deity
who, inviolate and vigorous herself, granted health and strength
to others. She was the sister of Apollo, and though a dispenser of
life could, like her brother, send death and disease amongst men and
animals. Sudden deaths, especially amongst women, were described as the
effect of her arrows. She was θεὰ σώτειρα, who assuaged the sufferings
of mortals. When Æneas was wounded, she healed him in the temple of
Apollo.[333] Yet Artemis ταυροπόλος produced madness in the minds of
men.[334]
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