The Origin and Growth of the Healing Art: A Popular History of Medicine in All Ages and CountriesBerdoe, Edward
History
The Origin and Growth of the Healing Art: A Popular History of Medicine in All Ages and Countries
Berdoe, Edward
Medicine -- History
How did primitive man come by his ideas? When he saw the effects of a
power, he could only make guesses at the cause; he could only speak
of it by some such terms as he would use concerning a human agent. He
saw the effects of fire, and personified the cause. With the Hindus
Agni was the giver of light and warmth, and so of the life of plants,
of animals, and of men; and so with thunder, lightning, and storm,
primitive man looked upon these phenomena as the conflicts of beings
higher and more powerful than himself. Thus it was that the ancient
people of India formed their conceptions of the storm-gods, the Maruts,
_i.e._ the Smashers. Amongst the Esthonians, as Max Müller tells
us,[15] prayers were addressed to thunder and rain as late as the
seventeenth century. “Dear Thunder, push elsewhere all the thick black
clouds. Holy Thunder, guard our seed-field.” (This same thunder-god,
_Perkuna_, says Max Müller, was the god _Parganya_, who was invoked
in India a thousand years before Alexander’s expedition.) We say _it_
rains, _it_ thunders. Primitive folk said the rain-god poured out his
buckets, the thunder-god was angry.
What did primitive man think when he observed the germination of seeds;
the chick coming out of the egg; the butterfly bursting from the
chrysalis; the shadow which everywhere accompanies the man; the shadows
of the tree; the leaves which vibrate in the breeze; when he heard
the roaring of the wind; the moaning of the storm, and the strange,
mysterious echo which, plainly as he heard it, ceased as he approached
the mountain-side which he conceived to be its home? He could but
believe that all nature was living, like himself; and that, as he could
not understand what he saw in the seed, the egg, the chrysalis, or the
shadow, so all nature was full of mystery, of a life that he in vain
would try to comprehend. Many savages regard their own shadows as one
of their two souls,—a soul which is always watching their actions, and
ready to bear witness against them. How should it be otherwise with
them? The shadow is a reality to the savage, and so is the echo. The
ship which visits his shores, the watch and the compass, which he sees
for the first time, are alive; they move, they must be living!
Mr. Tylor, in his chapter on Animism, in his _Primitive Culture_, says
(vol. ii. pp. 124, 125):—
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