The Origin and Growth of the Healing Art: A Popular History of Medicine in All Ages and CountriesBerdoe, Edward
History
The Origin and Growth of the Healing Art: A Popular History of Medicine in All Ages and Countries
Berdoe, Edward
Medicine -- History
to remember that you foresaw the fatal termination of the disease.”
If he is asked to dine, “as is the custom,” he is to show himself
neither indiscreet nor over-nice. If the table is delicate, he is not
to become absorbed in its pleasures, but to leave the table every now
and then to see how the patient progresses, so as to show that he has
not been forgotten while the doctor was feasting. He is honestly to
demand his fee, and then go in peace, his heart content and his purse
full. In the _Practice_ of the same author, we have, says Daremberg,
a true _Clinic_, the first work of the kind since the _Epidemics_ of
Hippocrates; it exhibits a skilful practitioner, a good observer, and a
bold therapeutist. The doctrines and methods are those of Hippocrates
and Galen, but not of the Arabs. It is also interesting as proving
that at this period the distinction was established between the true
physicians and the common physicians, or the specialists and the
general practitioners or physician-apothecaries.
A remarkable and interesting feature in the history of the school of
Salerno is the fact that some of its most famous professors of medicine
were ladies. About the year 1059, TROTULA, a female physician, wrote a
well-known book on the diseases of women, and their treatment before,
during, and after labour. She discusses all branches of pathology, even
of the male sexual organs.[761] It was supposed that she was the wife
of John Platearius the elder, and that she belonged to the noble family
of Roger. Her person and name were at one time considered legend and
myth, but M. Renzi’s investigations have proved her to be sufficiently
historical. Trotula lived at Salerno, as is shown by the _Compendium
Salernitanum_, and she practised in that city, as is clear from her
work on the diseases of women. Her name occurs variously as Trotula,
Trotta, and Trocta.[762]
ABELLA wrote a treatise _De Natura Seminis Humani_; she was a colleague
of Trotula’s. COSTANZA CALENDA was the daughter of the principal of
the medical school, and was distinguished both for her beauty and her
talents; she left no writings. MERCURIADIS and REBECCA GUARNA were
doctresses of the fifteenth century. They wrote chiefly on midwifery
and diseases of women.[763]
COPHO, in the early part of the twelfth century, was an anatomist,
and probably a Jew; he wrote the _Anatomy of the Pig_. Students were
instructed in dissections by operating on dead animals when, as in
those days, human bodies were not accessible. The pig was killed by
severing the vessels of the neck, and was then hung up by the hind
legs, and when the blood had escaped the body was used for teaching
purposes; it was not dissected in the modern sense at all, the
examination consisting merely in observation of the great cavities and
the vital organs, according to the suggestions of Galen and the old
anatomists.[764]
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