The Origin and Growth of the Healing Art: A Popular History of Medicine in All Ages and CountriesBerdoe, Edward
History
The Origin and Growth of the Healing Art: A Popular History of Medicine in All Ages and Countries
Berdoe, Edward
Medicine -- History
Pritchard tells us that “the priests of the Negroes are also the
physicians, as were the priests of Apollo and Æsculapius. The
notions which the Negroes entertain of the causes of diseases are
very different. The Watje attribute them to evil spirits whom they
call Dobbo. When these are very numerous, they ask of their sacred
cotton-tree permission to hunt them out. Hereupon a chase is appointed,
and they do not cease following the demons with arms and great cries
until they have chased them beyond their boundaries. This chase of the
spirits of disease is very customary among many nations of Guinea, who
universally believe that many diseases arise from enchantment, and
others by the direction of the Deity.”[65]
It is interesting to note, as showing the ingenuity of the priests,
that during the extremely dangerous rainy season the doctors’ remedies
are of very little use; then the priests say this is because the gods
at this particular season are obliged to appear at the court of the
superior deity. During their absence at court, the priests cannot
obtain access to them; and as without their advice they could not
efficaciously prescribe, such medicines as they offer have little good
effect.
The Antilles Indians in Columbus’s time went through the pretence of
pulling the disease off the patient and blowing it away, telling it to
begone to the sea or the mountains.
That the disease-demon may often be blown away by a plentiful supply of
fresh air is now an article of every hygienist’s creed.
The Badaga folk, mountaineers of the Neilgherries, insure their
children against accidents and sickness by talismans made of the earth
and ashes of funeral pyres. They think the souls of the departed are so
vexed at finding themselves in a novel condition that they are liable
to kill people even without a motive. When an epidemic breaks out,
they lay the blame on the person who died last, who is going about the
country taking vengeance on his kindred.[66]
Monier Williams says they endeavour to induce the demon of pestilence,
of typhoid fever, of the plague of rats or caterpillars, to enter into
the body of a dancer, who acts as a medium and has power to exorcise
the angry spirit. He has power to let loose rot or farcy amongst the
flocks and herds, so the medium has to be conciliated. The Corumba of
these mountain people is a wizard, the sicknesses of men and animals
are all set down to his account. “Gratified by the evil reputation
the Corumba enjoy, they offer to undo what they are supposed to have
done, to remove the spells they are accused of having cast. The wheat
is smutty, the flocks have the scab? Somebody’s head aches, some one’s
stomach is out of order? One of these rogues turns up, offers to eject
the demon; as it happens, the evil spirit is one of his particular
cronies! He will cast out Beelzebub by Beelzebub.”[67]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account