Every student of human nature is aware of the influence in favor of the appreciation of natural beauty and sublimity which the Bible impresses on those who are deeply imbued with its teaching; even where that same teaching has induced what may be regarded as a puritanical dislike of imitative art, at least in its religious aspects. On the other hand, naturalists can not refuse to acknowledge the surpassing majesty of the views of nature presented in the Bible. No one has expressed this better than Humboldt: "It is characteristic of the poetry of the Hebrews that, as a reflex of monotheism, it always embraces the universe in its unity, comprising both terrestrial life and the luminous realms of space; it dwells but rarely on the individuality of phenomena, preferring the contemplation of great masses. The Hebrew poet does not depict nature as a self-dependent object, glorious in its individual beauty, but always as in relation or subjection to a higher spiritual power. Nature is to him a work of creation and order--the living expression of the omnipresence of the Divinity in the visible world." In reference to the 104th Psalm, which may be viewed as a poetical version of the narrative of creation in Genesis, the same great writer remarks: "We are astonished to find in a lyrical poem of such a limited compass, the whole universe--the heavens and the earth--sketched with a few bold touches. The calm and toilsome life of man, from the rising of the sun to the setting of the same, when his daily work is done, is here contrasted with the moving life of the elements of nature. This contrast and generalization in the conception of the mutual action of natural phenomena, and the retrospection of an omnipresent invisible Power, which can renew the earth or crumble it to dust, constitute a solemn and exalted rather than a gentle form of poetic creation."[8]