2. In the Hebrew theology the fall introduces the new doctrine of a mediator or deliverer, human and divine, and an external symbolism, that of the cherubic forms, composite figures made up of parts of the man, the lion, the ox, and the eagle. These forms are referred back to Eden, where they are manifestly the emblems of the perfections of the Deity, lost to man by the fall, and now opposed to his entrance into Eden and access to the tree of life, the symbol of his immortal happiness. Subsequently the cherubim are the visible indications of the presence of God in the tabernacle and temple; and in the Apocalypse they reappear as emblems of the Divine perfections, as reflected in the character of man redeemed. The cherubim, as guardians of the sacred tree, and of sacred places in general, appear in the worship of the Assyrians and Egyptians, as the winged lions and bulls of the former, and the sphinx of the latter. They can also be recognized in the sepulchral monuments of Greek Asia and of Etruria. Farther, it was evidently an easy step to proceed from these cherubic figures to the adoration of sacred animals. But the cherubic emblems were connected with the idea of a coming Redeemer, and this was with equal ease perverted into hero-worship. Every great conqueror, inventor, or reformer was thus recognized as in some sense the "coming man," just as Eve supposed she saw him in her first-born. In addition to this, the sacredness of the first mother as the mother of the promised seed of the woman, led to the introduction of female deities. 3. The earliest ecclesiastical system was the patriarchal, and this also admitted of corruption into idolatry. The great patriarch, venerable by age and wisdom, when he left this earth for the spirit world, was supposed there, in the presence of God, to be the special guardian of his children on earth. Some of the gods of Egypt and of Greece were obviously of this character, and in China and Polynesia we see at this day this kind of idolatry in a condition of active vitality. 4. As stated in the text, the mythology of Egypt and Greece bears evident marks of having personified certain cosmological facts akin to those of the Hebrew narrative of creation. In this way ancient idolators disposed of the prehistoric and pre-Adamite world, changing it into a period of gods and demigods. This is very apparent in the remarkable Assyrian Genesis recovered by the late George Smith from the clay tablets found in the ruined palace of Assurbanipal.