Archaeology; Civilization, Ancient; Despotism; Greece -- History -- To 146 B.C.; Wealth
Thucydides[1637] quotes Athenian dress in the introductory chapters of
his first book to illustrate his thesis that civilization and comfort
are extremely modern things. He divides Athenian history from this
standpoint into three periods, the first that when men went about armed,
the second that of luxurious Ionic fashions, and the third that in which
they reverted to simple or rational dress (μετρία ἐσθής). It is
difficult to date the beginning of Thucydides’ second period later than
the first half of the seventh century. At the time indeed when
Thucydides wrote his remarks it was not very long since elderly men of
the wealthy class in Athens had given up the Ionic dress. It has
sometimes been maintained that the dress was always confined to old men,
and that Thucydides implies that Ionic at Athens had been recently in
full fashion. But the tone of the passage suggests rather the old
gentleman who clings to the fashions of an earlier age. Already in the
seventies of the fifth century B.C. the woman who typifies Greece in
Xerxes’ dream is dressed by Aeschylus in Doric robes[1638] and the
monuments confirm the view which regards the Persian Wars as marking the
change.
But that does not end Thucydides’ evidence. He speaks of fashions in
Sparta as well as in Athens. The return to simple dress was started by
the Spartans (μετρίᾳ δ’ αὖ ἐσθῆτι πρῶτοι Λακεδαιμόνιοι ἐχρήσαντο). This
statement has two implications[1639]. The Spartans must have reverted to
Doric costume before the Persian Wars, and previous to this reversion
they must, like the Athenians, have worn some sort of Ionic costume. The
importance of these allusions to Sparta seems scarcely to have been
realized, no doubt because the controversy took shape before the
excavations of the British School at Sparta had challenged many of the
received views on the history of archaic Sparta. The very large finds of
ivory and lead figurines of the seventh and sixth centuries[1640] show
that artistically at least the Spartans of that period were by no means
the austere devotees of simplicity that they became in the classical
age. Spartan simplicity in fact probably dates in large measure from the
days of Chilon, the reformer of the middle of the sixth century[1641].
It is not improbable that the simple dress at Sparta came in with the
simple life at just about this period. It is already implied for Spartan
young women by the epithet φαινομηρίδες (showing the thigh) of the poet
Ibycus, a contemporary of Chilon. There is nothing in Thucydides to
discountenance the assumption of an interval of about fifty years
between the beginning of simple dress at Sparta, and its adoption at
Athens[1642]. The tyranny at Athens roughly covers this period, and
standing as it did for material luxury, sufficiently accounts for the
interval. Athenian luxury, at least in the matter of dress, is said by
Thucydides to have started earlier than Spartan, and Spartan, if it went
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