The origins of art; a psychological & sociological inquiryHirn, Y. (Yrjö)
Philosophy
The origins of art; a psychological & sociological inquiry
Hirn, Y. (Yrjö)
Aesthetics; Art -- Philosophy; Art, Primitive
For such an effect it is of course not indispensable that these signs
should have originated in an endeavour to charm the sex. As in the
foregoing chapter, we have to keep the question of influence upon the
other sex apart from the question of the positive causes—that is,
conscious or unconscious motives, which have called forth the various
secondary sexual characters and activities. For convenience of
exposition it is advantageous to begin with the first-mentioned phase
of the problem.
Without as yet pronouncing any definite views as to the aims the
pursuit of which has led to the different systems of adornment, we
may safely maintain that any conspicuous garments, independently of
their ornamental qualities, which have served to distinguish the adult
and marriageable individuals from other members of the tribe, have
been of importance as means of attraction. According to the ingenious
explanation of Dr. Westermarck, even clothing was originally invented
not to conceal nudity, but to set it off.[301] There is room, as will
be shown later on, for objecting to any definite statement with regard
to a question such as this, the answer to which is to be sought for
in several directions at once. But there can be no doubt about the
fact that the simplest dresses, and especially those which have been
interpreted as indicating a sense of modesty, practically accentuate
the things they technically conceal. At a stage of development where
nudity is the normal state, veiling must necessarily suggest the same
emotions as unveiling in a civilised society. As Dr. Westermarck
has been able to show, dresses are adopted by a majority of tribes
on the attainment of puberty and on the occasions of great feasts;
it is therefore natural that they should act as powerful sexual
incitements.[302] And this view receives additional support from the
arguments of its opponents. The large collection of facts that Dr.
Schurtz has quoted in proof of his assertion that clothing originally
aimed at “the concealment of sexual differences” may of course be
interpreted with equal and, we believe, with greater probability in
the inverse sense.[303] One has only to look, for example, at some of
the richly-embroidered cinctures of the Guiana natives in order to
understand that these coverings, whatever may have been their original
purpose, can never have acted as an effective means of diverting the
attention.
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