The origins of art; a psychological & sociological inquiryHirn, Y. (Yrjö)
Philosophy
The origins of art; a psychological & sociological inquiry
Hirn, Y. (Yrjö)
Aesthetics; Art -- Philosophy; Art, Primitive
Whichever formula may be preferred in the interpretation, it remains
as an indisputable fact that even in some of the higher animals an
exceptional appearance gives an advantage in courtship. It is needless
to point out to how great an extent in civilised communities man is
influenced in sexual preference by a bias for a peculiar appearance
which distinguishes the chosen one from any other man or woman. This
predilection, however, is always neutralised by a repugnance for
everything that deviates too much from the common characteristics of
the group. The two principles which have regulated the development
of secondary sexual characters—to wit, the necessity of marks for
accentuating sex-distinction and that of tribal signs—are thus
brought into conflict with each other. This conflict is particularly
conspicuous in the lower stages of development. Owing to the peculiar
conditions of life which prevail here, the second principle will
generally be of especial importance among the savage tribes of mankind.
The observation has often been made that too great uniformity of
work impedes the development of individual characters in physical
appearance. In savage communities, where the division of labour is
almost unknown, all men must necessarily be more or less like one
another.[305] Especially if the home of the tribe be some closely
defined area of uniform climatic conditions, there will be within
the tribe almost no material for selection. Where endogamic marriage
prevails, the conception “lover,” which is transmitted from mother to
daughter, and which, by “objective heredity,” becomes imprinted on
the mind of every girl that grows up in this narrow _milieu_, must
therefore be one with a very restricted content. Alongside of this
increasing predilection for a fixed and narrowly circumscribed type
of the opposite sex there will, as its complementary feeling, develop
a strong antipathy to every feature that diverges from this type. For
the evolution of national ideals this negative influence has been of
perhaps even greater importance than the positive preferences.
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