The origins of art; a psychological & sociological inquiryHirn, Y. (Yrjö)
Philosophy
The origins of art; a psychological & sociological inquiry
Hirn, Y. (Yrjö)
Aesthetics; Art -- Philosophy; Art, Primitive
It is evident that strictly endogamous marriage customs could never
be upheld in tribes which have any intercourse with their neighbours
if the social institution were not supported by a real psychological
aversion to outsiders. It has therefore been congruous with the
advantages of society to promote in the youth the feeling that any man
or woman outside the tribe is a being with whom no emotional exchange
is to be thought of. To make this feeling possible, on the other hand,
it is necessary that everything which is connected with the foreigner
should be held up to contempt. Their dress, their language, their
manners, and so on, have thus been considered as something to be kept
at a distance. It is needless to point out that marriage systems are
not alone responsible for the development of this feeling. Religious
differences, so important in primitive communities, have undoubtedly
often given rise to the common notion that people outside one’s own
tribe do not, properly speaking, belong to the human species. Continual
war induces a feeling of contempt, which in the stronger tribe is
mingled with pride and in the weaker with bitterness, and which in
both cases extends to the smallest details of physical appearance and
behaviour. And apart from all regard to these social causes, the
primitive man, in civilised as well as in savage nations, is always apt
to look upon everything unusual with a feeling of scornful disdain. No
doubt such a disdain can even be coincident with exogamous marriage
customs. But it seems evident that it must everywhere have strongly
influenced sexual selection during those unknown endogamic periods in
which the racial and tribal differences were developed and fixed.[306]
And it may even now be observed among living tribes of man to how
great a degree antipathy to every detail in the outward appearance of
foreigners precludes union between members of different tribes. The
national and parochial dresses of modern peasants no doubt exercise
a great influence on the love-life of the respective boys and girls.
The most telling example that could be quoted in this connection is
the case of Savakot and Äyrämäiset in Eastern Finland. When examining
a Savakko youth as to the reason why none of his tribe had ever
chosen a wife from among their neighbours, Ahlqvist[307] received the
characteristic answer: “Se kuin on heillä Äyrämäisillä niin hirveä
vaatteen manieri niin siihen ei meidän pojat uskalla puuttua”—that is,
As these Äyrämä girls have such horrid dresses, our boys do not dare to
approach them.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account