The origins of art; a psychological & sociological inquiryHirn, Y. (Yrjö)
Philosophy
The origins of art; a psychological & sociological inquiry
Hirn, Y. (Yrjö)
Aesthetics; Art -- Philosophy; Art, Primitive
It is evident, as might be proved by more numerous and detailed
references than it has been possible to adduce above, that precisely
such bodily deformations, such systems of distinguishing ornament,
and such conspicuous articles of clothing and decoration as are
most generally found among both the primitive and the cultivated
tribes of mankind have been of especial importance as means of
sexual attraction. Nothing could be more natural, therefore, than
to explain the various forms of cosmetics as so many endeavours to
work upon the preferences—whether arising from the æsthetic sense or
from associated ideas of sexual excitement—of the opposite sex. Such
an explanation, moreover, derives support from the assertion of the
primitives themselves, who often positively state that they dress and
array themselves for the purpose of winning the love of their women.
And it has on its side the merits of simplicity and unity. By bringing
together under one head all the different forms of self-decorative art
it disentangles the different questions of primitive æsthetics in a
most plausible manner.
However alluring this uniform explanation may be for lovers of
clearness and theoretical consistency, it must nevertheless be
abandoned upon an impartial examination of the ethnological facts.
It is no doubt conceivable that a more or less conscious desire of
acquiring the favour of the opposite sex should have called forth
all the various means of attraction. As was shown above, they could
in such a case have scarcely developed a more effectual conformation
than they really have done. But from the effect we are not entitled
to draw any conclusion as to the intention. When considering all the
various motives, often almost incomprehensible to the civilised mind,
which govern the activities of primitive man, one loses the confidence
that is necessary in order to accept any general explanation, however
probable it may seem. A careful and impartial examination can only lead
to the result that scarcely any form of dress or ornament can be quoted
which could be considered with certainty as an outcome of the impulse
to attract and charm the opposite sex.
Public-domain text, read in full here on John Shaqi.
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