The origins of art; a psychological & sociological inquiryHirn, Y. (Yrjö)
Philosophy
The origins of art; a psychological & sociological inquiry
Hirn, Y. (Yrjö)
Aesthetics; Art -- Philosophy; Art, Primitive
This instance, although it is one of modern times and refers to
relatively civilised individuals, can no doubt be considered as
illustrative with regard to the distinguishing marks and dresses of
primitive men. The outward signs of the tribe not only exercise a
strong attraction upon all its members; they are also for outsiders
associated with a repugnance which is perhaps equally strong. In
the same way as it has been advantageous for the young of both
sexes to have an appearance which appeals as powerfully as possible
to the instinctive predilections of the opposite sex, it has been
necessary for them not to exhibit qualities which could be confounded
with those of the alien. The individual who endeavours to attract
attention for his person by a conspicuous and extravagant appearance
is, therefore, narrowly restricted within the boundaries prescribed by
tribal sympathies and antipathies. The safest expedient by which to
distinguish himself from others without outraging the national idea is,
therefore, that of exaggerating the common characteristics of the tribe.
These theoretical reasonings can be amply corroborated by ethnological
facts. As early as 1814 Humboldt observed and commented upon the
fact that the deformations which appear most arbitrary generally
only tend to carry into excess some natural peculiarity of the
tribe.[308] And since his time, numerous instances have been adduced
in the ethnological literature, all pointing in the same direction.
In the case of people who blacken their teeth it has been remarked
that the dental enamel is naturally darker than usual; where heads
are artificially deformed, it is found that there exists a general
disposition to develop pointed or flat crania; where the hair-growth
is scanty, baldness is artificially produced; and so forth.[309] By
exaggerating and accentuating in their own appearance the common
qualities of the tribe, the individual males or females have thus
created a more and more differentiated tribal type. And the inherited
predilections and aversions of the opposite sex have, on the other
hand, by continuously influencing positive and negative choice,
contributed to the fixing of these types as tribal ideals, not of
beauty, but of sexual attractiveness.
CHAPTER XVI
THE ORIGINS OF SELF-DECORATION
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