Gracefulness, 116, 275, 276 Grief, 50 Grimacing, its importance for primitive tactics, 270 “Gymnastic” dances, 92 “Happiness” of the unconscious, 69, 70 Higher and lower forms of art, distinction between, 140 Historical art, 164-182, 223 and psychological methods, distinction between, 16, 112, 148, 301 poems used in magical ceremonies, 173 History born of pride, 181 Histrionic factor in literature, 96; in formative arts, 96, 97 “Homo sapiens ferus,” 151 Humiliation, 46, 50 Hunting and fishing rites, 285, 287 Idea, the, its place in German-æsthetic systems, 23, 118 Ideal of beauty, the, and sexual selection, 202, 213, 241, 242 Idealistic schools of art, 132 Idols, 174, 288, 291 “Illusions particulières” _versus_ essential qualities, 128, 129 Imitation, impulse to, 24; connected with the instincts, 75 sympathetic, 59, 74-85, 96 _See_ Internal Imitation, Pathologic Imitation Impregnation by wind, rain, or sunshine, 219 Indispensability of accustomed sensations, 58 _In effigie_ sentences, 287 Information and art, 149-163, 184, 185 Instantaneous muscular exertion, power of, 252, 253 Insular life, its influence on art, 259 Intellectual elements of the artistic activity; their influence on the mental state of the artist, 102-107 Invention in primitive art, 160, 161 Jakalele dance in Ceram, 266, 267 Joy, 48; distinguished from the sense of comic, 48, 49; pantomimic expression of, 92-94, 244 “Kina” (Fuegian drama), 165 Limited amount of energy, 36, 37 Lustre. _See_ Brilliancy Luxury of sentimental sorrow, 51. _See also_ Enjoyment of Pain Lyre and flute, allegory of, 107 Maenads, 65, 108-110, 112 Magic and art, 278-297 two classes of, 278, 279; by connection, 279-282, 291-294; by likeness, 282-290; expedients for acquiring courage in war, 265; power of the obscene, 217; pantomimes, 11; songs, 288, 295 Masses, psychology of. _See_ Collective Psychology Means of attraction, 203-213 Medical rites, 284, 287 Military dances, 265, 266; used as salutation, 92, 93; performed before female spectators, 229 dresses and uniforms, 270; ensigns, 271; signals, 263 Modesty and clothing, 216-218 Moko tattooing used as a means of identification, 175, 225 Moods of sadness deliberately enhanced, 51 Moral influence of art, 108 Movement-perception, the dynamogenic influence of, 257 Music, 87 Narrative art, its simplest forms, 157-161 Novelty, predilection for, 208 “Opisthotonos,” 109 Ornament, concealed meaning of, 10 and mimetic transmission of feeling, 98 and rhythm, 91 Ornaments, the, of the Dyaks, 272-274; of the Maoris, 275, 276 Pain, pantomimic expression of, 39, 40, 93, 94. _See also_ Feeling-tone