Pantomimics, erotic, 233-235, 245-248; magic, 11, 283, 284; military, 265, 266; narrative, 152-155; representing work, 250-252, 257 Parnassians, 136, 137 Pathologic imitation, 79 Petroglyphs, 175, 176 Phallic amulets, 217; rites, 284, 287 Phallocrypts, 215, 216 Pictographs, 149, 155-157, 161 Pictorial art, the, of the Bushmen, 237; prayers, 285 Play, as connected with art, 29; with exercise, 250, 251; with the instincts, 27 Play-impulse, 26-28, 145, 146, 250 Please, impulse to, 24, 25 Pleasure. _See_ Feeling-tone Political propitiation and art, 299 Portraiture, commemorative, 174, 175 Practical motives for clothing and self-decoration, 216, 224 Præsul, 257 Preliminary movements, their dynamogenic influence, 256 Pride, 46, 137, 181, 222, 268 Proportion, 117 Rain-making and rain-preventing, 283, 284 Realism and magic, 289-290 Realistic movement in literature, 117, 118 Recognition marks, 190 Religious doctrines influencing erotic art, 246 Repugnance for qualities deviating from the tribal type, 209, 210 Retroaction from sympathisers, craving for, 84 Rhetoric, primitive, 154 Rhythm, 87-91, 258-260 Salutation dances, 92 Sand paintings, the, of the Navajos, 292 Scarification, 61, 66, 67 Scars of the Australians explained by Koeler as means of identification, 225 Science as an end in itself, 19, 20 Secondary sexual characters, 190-192; activities, 191 Selbstzweck. _See_ Autotelic Character of Art Self-exhibiting impulse, 25 Self-woundings, 61, 66, 67 Sentimentalism, 136, 137 Sex-distinction, marks for accentuating, 192, 209 Sexual ideal, 204, 213, 242 Social conditions influencing erotic art, 238-242; expression, 72-85, esp. 83-85 Solidarity of suffering between members of the same family, 279 Songs, ephemeral, 159, 160; erotic, 235, 236, 246; exhorting to work, 254, 255, 259; magic, 255, 256, 288, 295; military, 267-269 Sport as end in itself, 20, 21 Storage of nutritive supply, 36, 37 Sucking cure, 285 Sun-rituals, 284 Superstitious motives for clothing, 217-219, 224 Surplus of vigour, 26, 198 Symmetry, 117 Sympathetic imitation, 59, 74-85, 154, 155; magic. _See_ Magic Tangi, 59 Technical medium, the, of art, 145; perfection in art, 135, 139, 303 Technique, its influence on decorative art, 146, 147 Theatrical management and _régie_ among the Australians, 237 Theurgic rites, 284, 288 Time-sense, its high development among primitive tribes, 262 Trade-dances, 252 Traditions, primitive, preserving the memory of European visitors, 166, 167, 178 Tragedy, enjoyment of, 59 Transference of energy, 36, 37 Travels described in primitive art, 158-160, 178 Trophies, 221 Universal ideas, their importance in æsthetic systems, 130; their place in primitive philosophy, 296