The origins of art; a psychological & sociological inquiryHirn, Y. (Yrjö)
Philosophy
The origins of art; a psychological & sociological inquiry
Hirn, Y. (Yrjö)
Aesthetics; Art -- Philosophy; Art, Primitive
The pain arising from restricted activity can equally be explained in
terms of movement. If we believe that our system has a limited amount
of energy which—as long as life is maintained—must necessarily be
active in some direction or other, then we shall also understand that
anything which closes the natural and usual outlet of this energy will
give rise to activities in related organs, the nutritive state of which
does not present the conditions of pleasurable function. Mr. Marshall
has tried to indicate the details of the transition by which inactivity
in one organ causes excessive activity in other organs. His description
of the “gorging of the nutritive channels,” “the calling for aid of the
disabled elements,” etc., is, however, too figurative and poetical to
be of any importance in a psychological argument.[55] Taken as a vague
and necessarily coarse metaphor, this physiological image may, however,
illustrate a process which perhaps can never be exactly analysed, but
which is nevertheless familiar to everybody. No one who has experienced
in any higher degree the diffused sensation of gnawing inactivity can
doubt the active element in this corroding feeling. One seems to feel
how the checked and thwarted impulses devouringly turn themselves
inward. Poetical literature is full of passionate outcries against the
tortures which imposed inaction inflicts on active spirits; and modern
autobiographies give us pathetic examples of the sufferings of those
whose intellectual activity has been diverted from outward aims to
internal analysis. The candid confessions of Amiel and Kierkegaard show
the inevitable necessity with which mental energy, if arrested in its
natural course, finds itself an outlet in destructive activity. This
truth had already been expressed in simple and drastic form in Logau’s
old epigram:—
Ein Mühlstein und ein Menschenherz wird stets herumgetrieben.
Wenn beides nicht zu reiben hat, wird beides selbst zerrieben.
Public-domain text, read in full here on John Shaqi.
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