He looked at Kisljakoff with terrified curiosity, for he scarcely
recognized him. The accordion-player's face had taken on it a drawn
angular expression; the cheek-bones stood out sharply. The deep-sunk
eyes, surrounded by black rings, looked unusually fixed and staring.
The skin had turned the colour of a corpse in summer-time. Orloff felt
he was looking into the leaden face of a dying man. Only the slow
movement of the jaws showed that what was before him was still a living
body.... For some time Kisljakoff stared with motionless, glassy eyes
into Grigori's face; and this dying stare frightened Orloff. It seemed
to him as if a damp, cold hand had seized him by the throat, and was
slowly strangling him. And he felt within him the desire to leave as
soon as possible this room, which used to be so pleasant and gay, but
which now seemed unnaturally cold, and filled with such a horrible foul
smell of decay and rottenness.
"Come now," said he, preparing to leave the room.
Suddenly a sort of change passed over the grey face of the
accordion-player. The lips, which were tinged with a leaden-coloured
shade, opened, and he said in a low monotonous voice--
"I--must--d--die."
These three words, uttered so apathetically, struck Orloff's head and
heart like three dull strokes. He turned, as if stunned, towards the
door, where he was met by Tschischik, hot and perspiring, who was
returning with a bucket of water.
"Here's some water from Spridinoff's well!... They did not want to let
me take it, the dogs!"
He placed the bucket on the ground, disappeared quickly into a corner
of the room, and re-appeared with a glass, which he handed to Orloff.
Then he went on chattering--
"They said we had cholera here. Well, I said, what does that matter?...
It will come to you, too--it's going all round the town. Then I got a
box on the ear...."
Orloff took the glass, filled it from the bucket, and drank it off in
one draught In his ears still rang the words of the sick man--
"I--must--die."
Tschischik wriggled about the room like an eel; he seemed to be quite
in his element.
"Give me water," moaned the accordion-player, leaning his trembling
body forward on the table.
Tschischik ran up to him and held a glass of water to his black,
swelled lips. Grigori stood as if spell-bound or in a bad dream,
leaning against the wall near the door. He heard how the sick man
gulped down the water, and how Tschischik asked him if he should
undress him and put him on the bed; and then he heard once more the
voice of the painter's cook. He could see her fat face glancing with
an expression of mingled fear and pity from one of the windows of the
courtyard, as she said in a whining tone--"Mix two tablespoonfuls of
soot with pine-juice and rum, and give it to him."
Some one whom he could not see, but who stood behind her, recommended
cucumber-pickle and aqua regia.
Public-domain text, read in full here on John Shaqi.
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