The Orpheus C. Kerr Papers, Series 2Newell, R. H. (Robert Henry)
History
The Orpheus C. Kerr Papers, Series 2
Newell, R. H. (Robert Henry)
United States -- History -- Civil War, 1861-1865 -- Fiction
Thus irregular in rhythm and vagrant in measure, my boy, are the
half-sleeping thoughts of a summer noon in Virginia; and it was fully
an hour before I could summon enough strength of mind to peruse a
letter recently consigned to me by a rustic chap in my native village.
This chap describes to me what he calls the "Downfall of the Dramy,"
and says he:
The Dramy is a article for which I have great taste, and which I prefer
to prayer-meeting as a regular thing. Since the time I wore breeches
intended to facilitate frequent spankings, I have looked upon
theatrical artiks with a speeshees of excitement not to be egspressed.
I was once paying teller to a barber artik who shaved a great
theatrical artik, and although the theatrical artik never could pay for
his shaving until he drew his celery, he always frowned so splendidly
when he turned down his collar, and said: "What ho! there Figaro," that
my infant mind yearned to ask him for a few tickets to the show.
This great respek for the dramy has grown with my hair, and since this
high old war has desolated the dramy, my buzzom has been nothing else
but a wilderness of pangs. The other evening, my fren--which is
courting a six story house with a woman in the title deed--called at my
shattoe, and proposed that we should wander amid the ruins of the
dramy. "It's rejooced to a skellington," says he, quite mournful, "and
its _E pluribus Onion_ is gone down into the hocean wave." As my friend
used this strong egspression, he tried to wink at me, but didn't get
farther than a hik-cup. Arm in-arm, like two Siamese-twins in rejooced
circumstances, we walked in speechless silence to what was formerly the
entrance half of a theatre in the pallermy days of the dramy. It was
like the entrance to the great desert of Sary, and as we groped our way
through the grass to the ticket office, I observed six wild geese and a
raccoon in a jungle that was a umberella stand in the pallermy days.
The treasurer was entirely covered with cobwebs, which had been
accumulating since the day he last saw speshee, and when he at last
tore himself out, the sight of the quarter which I handed in sent him
into immediate convulsions.
"Excuse me," says he, "if I weep over this preshus coin; but the force
of old associations is too much for this affectionate heart."
Public-domain text, read in full here on John Shaqi.
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