The effect can be imagined on the High-Pan-Jam inside the
bath-house--an amphibious guardian, oblivious naturally to sun and
rain--when his eye fell upon this flag of defiance thrust up above his
ramparts. You can imagine, too, the consternation of the peaceful
inmates of the open pools, whose laughter had now and then risen above
the sough of the wind and splash of the water. Almost immediately I
heard the sound of hurrying footsteps from a point where no sound had
come before, and there followed the scraping of a pair of toes on the
planking behind me, as if some one was drawing himself up.
I looked around and up and saw eight fingers clutching the top of the
planking, and a moment later the round face of an astonished Dutchman.
I haven't the faintest idea what he said. I didn't know then and I
don't know now. I only remember that his dialect sounded like the
traditional crackling of thorns under a pot, including the
spluttering, and suggesting the equally heated temperature. When his
fingers gave out he would drop out of sight, only to rise again and
continue the attack.
Here Peter, I must say, did credit to his Dutch ancestors. He did not
temporize. He did not argue. He ignored diplomacy at the start, and
blazed out that we were out of everybody's way and on the lee side of
the structure; that there was no sign up on that side; that I was a
most distinguished personage of blameless life and character, and
that, rules or no rules, he was going to stay where he was and so was
I.
"You tam blowdy rock. It's s'welve o'clook now--no rule aft' s'welve
o'clook,--nopody ba'd now;"--This in Dutch, but it meant that, then
turning to me, "You stay--you no go--I brek tam head him."--
None of this interested me. I had heard Peter explode before. I was
trying to match the tone of an opalescent cloud inlaid with
mother-of-pearl, the shadow side all purplish gray. Its warm
high-lights came all right, but I was half out of my head trying to
get its shadow-tones true with Payne's gray and cobalt. The cloud
itself had already cast its moorings and was fast drifting over the
English Channel. It would be out of sight in five minutes.
"Peter--_Peter!_" I cried. "Don't talk so much. Here, give him half a
gulden and tell him to dry up. Hand me that sky brush--quick now!"
The High Pan-Jam dropped with a thud to his feet. His swinging
footsteps could be heard growing fainter, but no stiver of my silver
had lined his pocket.
I worked on. The tea-rose cloud had disappeared entirely; only its
poor counterfeit remained. The boats were nearly finished; another
wash over their sails would bring them all right. Then the tramp as of
armed men came from the in-shore side of the bath-house. Peter stood
up and craned his neck around the edge of the planking, and said in an
undertone:--
"Tam b'lice, he come now; nev' mind, you stay 'ere--no go. Tam blowdy
rock no mak' you go."
Public-domain text, read in full here on John Shaqi.
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