These and a hundred other things make me love this quaint old town on
the Maas. There is everything within its borders for the painter who
loves form and color--boats, queer houses, streets, canals, odd,
picturesque interiors, figures, brass milk cans, white-capped girls,
and stretches of marsh. If there were not other places on the earth I
love equally as well--Venice, for instance--I would be content never
to leave its shower-drenched streets. But I know that my gondola, gay
in its new _tenta_ and polished brasses, is waiting for me in the
little canal next the bridge, and I must be off.
Tyne has already packed my trunk, and Johan is ready to take it down
the stairs. Tyne sent for him. I did not.
When Johan, like an overloaded burro stumbling down the narrow defile
of the staircase, my trunk on his back, disappears through the lower
door, Tyne reënters my room, closes the door softly, and tells me that
Johan's wages have been raised, and that before I return next summer
she and--
But I forgot. This is another strictly confidential communication.
Under no possible circumstances could a man of honor--certainly not.
Peter, to my surprise, is not in his customary place when I reach the
outer street door. Johan, at my inquiring gesture, grins the width of
his face, but has no information to impart regarding Peter's unusual
absence.
Heer Boudier is more explicit.
"Where's Peter?" I cry with some impatience.
My host shrugs his shoulders with a helpless movement, and opens wide
the fingers of both hands.
"Mynheer, the five days are up. Peter has gone to jail."
"What for?" I ask in astonishment.
"To save two gulden."
ONE OF BOB'S TRAMPS
I had passed him coming up the dingy corridor that led to Bob's law
office, and knew at once that he was one of Bob's tramps.
When he had squeezed himself through the partly open door and had
closed it gently,--closed it with a hand held behind his back, like
one who had some favor to ask or some confidence game to play,--he
proved to be a man about fifty years of age, fat and short, with a
round head partly bald, and hair quite gray. His face had not known a
razor for days. He was dressed in dark clothes, once good, showing a
white shirt, and he wore a collar without a cravat. Down his cheeks
were uneven furrows, beginning at his spilling, watery eyes, and
losing themselves in the stubble-covered cheeks,--like old
rain-courses dried up,--while on his flat nose were perched a pair of
silver-rimmed spectacles, over which he looked at us in a dazed,
half-bewildered, half-frightened way. In one hand he held his
shapeless slouch hat; the other grasped an old violin wrapped in a
grimy red silk handkerchief.
For an instant he stood before the door, bent low with unspoken
apologies; then placing his hat on the floor, he fumbled nervously in
the breast pocket of his coat, from which he drew a letter, penned in
an unknown hand and signed with an unknown name. Bob read it, and
passed it to me.
Public-domain text, read in full here on John Shaqi.
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