I felt that nothing now could check Bob. Whatever I might say or do
would fail to convince him. "I know how hard a road can be and how
sore one's feet can get," he would perhaps say to me, as he had often
done before when we blamed him for his generosities.
The man balanced the letter on his hand, reading the inscription in a
listless sort of way, picked up the instrument, looked it all over
carefully, flecked off some specks of dust from the finger-board, laid
the violin on the office table, thrust the soiled rag into his pocket,
caught up the money, and without a word of thanks closed the door
behind him.
"Bob," I said, the man's absolute ingratitude and my friend's colossal
simplicity irritating me beyond control, "why in the name of common
sense did you throw your money away on a sharp like that? Didn't you
see through the whole game? That note was written by himself. Corunden
never saw that fiddle in his life. You can buy a dozen of them for
five dollars apiece in any pawn-shop in town."
Bob looked at me with that peculiar softening of the eyelids which we
know so well. Then he said thoughtfully: "Do you know what it is to be
stranded in a strange city with not a cent in your pocket, afraid to
look a policeman in the face lest he run you in? hungry, unwashed, not
a clean shirt for weeks? I don't care if he is a fraud. He sha'n't go
hungry if I can help it."
There are some episodes in Bob's life to which he seldom refers.
"Then why didn't he play for you?" I asked, still indignant, yet
somewhat touched by an intense earnestness unusual in Bob.
"Yes, I wondered at that," he replied in a musing tone, but without a
shadow of suspicion in his voice.
"You don't think," I continued, "he's such a fool as to go to your
house for your violin? I'll bet you he's made a bee line for a rum
mill; then he'll doctor up another old scraper and try the same game
somewhere else. Let me go after him and bring him back."
Bob did not answer. He was tying up a bundle of papers. The violin lay
on the green-baize table where the man had put it, the law books
pushed aside to give it room. Then he put on his coat and went over to
court.
In an hour he was back again--he and I, sitting in the small inner
office overlooking the dingy courtyard.
We had talked but a few moments when a familiar shuffling step was
heard in the corridor. I looked through the crack in the door, touched
Bob's arm, and put my finger to my lips. Bob leaned forward and
watched with me through the crack.
The outer office door was being slowly opened in the same noiseless
way, and the same man was creeping in. He gave an anxious glance about
the room. He had Bob's own violin in his hand; I knew it by the case.
"Tey all oud," he muttered in an undertone.
Public-domain text, read in full here on John Shaqi.
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