I slipped into my fur overcoat; slid my manuscript into the outside
pocket, and followed the driver out into the cold night. The only
light visible came from a smoky kerosene lamp boxed in at the far end
of the stage and protected by a pane of glass labeled in red paint,
"Fare, ten cents."
Close to its rays sat a man, and close to the man--so close that I
mistook her for an overcoat thrown over his arm--cuddled a little
girl, the light of the lamp falling directly on her face. She was
about ten years of age, and wore a cheap woolen hood tied close to her
face, and a red shawl crossed over her chest and knotted behind her
back. Her hair was yellow and weather-burned, as if she had played out
of doors all her life; her eyes were pale blue, and her face freckled.
Neither she nor the man made any answer to my salutation.
The child looked up into the man's face and shrugged her shoulders
with a slight shiver. The man drew her closer to him, as if to warm
her the better, and felt her chapped red hands. In the movement his
face came into view. He was, perhaps, thirty years of age--wiry and
well built, with an oval face ending in a pointed Vandyke beard;
piercing brown eyes, finely chiseled nose, and a well-modeled mouth
over which drooped a blond mustache. He was dressed in a dark blue
flannel shirt, with loose sailor collar tied with a red 'kerchief, and
a black, stiff-brimmed army-shaped hat a little drawn down over his
eyes. Buttoned over his chest was a heavy waistcoat made of a white
and gray deerskin, with the hair on the outside. His trousers, which
fitted snugly his slender, shapely legs, were tucked into his boots.
He wore no coat, despite the cold.
A typical young westerner, I said to myself--one of the bone and sinew
of the land--accustomed to live anywhere in these mountains--cold
proof, of course, or he'd wear a coat on a night like this. Taking his
little sister home, I suppose. The country will never go to the dogs
as long as we have these young fellows to fall back upon. Then my eyes
rested with pleasure on the pointed beard, the peculiar curve of the
hat-brim, the slender waist corrugating the soft fur of the deerskin
waistcoat, and the peculiar set of his trousers and boots--like those
of an Austrian on parade. And how picturesque, I thought. What an
admirable costume for the ideal cowboy or the romantic mountain ranger
who comes in at the nick of time to save the young maiden; and what a
hit the favorite of the footlights would make if he could train his
physique down to such wire-drawn, alert, panther-like outlines and--
A heavy object struck the boot of the stage and interrupted my
meditations. It was the mail-bag. The next instant the driver's head
was thrust in the door.
"Dick, this is the man I told you was goin' 'long far as Bingville.
He's got a show up to the college."
Public-domain text, read in full here on John Shaqi.
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