West Norrington is built on a hill. At the foot are the station, a
saw-mill, and a glue factory. On the top is a flat plateau holding the
principal residences, printing-office, opera-house, confectionery
store, druggist's, and hotel. Up the incline is a scattering of
cigar-stores, butcher shops, real-estate agencies, and one lone
restaurant. You know it is a restaurant by the pile of extra-dry
oyster-shells in the window--oysterless for months--and the four
oranges bunched together in a wire basket like a nest of pool balls.
You know it also from the sign--
"Five meals for a dollar."
I saw this sign on my way up the hill, but it made no impression on my
mind. I was bound for the hotel--the West Norrington Arms, the
conductor called it; and as I had eaten nothing since seven o'clock,
and it was then four, I was absorbed mentally in arranging a bill of
fare. Broiled chicken, of course, I said to myself--always get
delicious broiled chicken in the country--and a salad, and
perhaps--you can't always tell, of course, what the cellars of these
old New England taverns may contain--yes, perhaps a pint of any really
good Burgundy, Pommard, or Beaune.
"West Norrington Arms" sounded well. There was a distinct flavor of
exclusiveness and comfort about it, suggesting old side-boards,
hand-polished tables, small bar with cut-glass decanters, Franklin
stoves in the bedrooms, and the like. I could already see the luncheon
served in my room, the bright wood fire lighting up the dimity
curtains draping the high-post bedstead. Yes, I would order Pommard.
Here the front knees came together with a jerk. Then the driver pulled
his legs out of a buffalo-robe, opened the door with a twist, and
called out,--
"Nor'n't'n Arms."
I got out.
The first glance was not reassuring. It was perhaps more Greek than
Colonial or Early English or Late Dutch. Four high wooden boxes,
painted brown, were set up on end--Doric columns these--supporting a
pediment of like material and color. Half-way up these supports hung a
balcony, where the Fourth of July orator always stands when he
addresses his fellow citizens. Old, of course, I said to myself--early
part of this century. Not exactly moss-covered and inn-like, as I
expected to find, but inside it's all right.
"Please take in that bag and fur overcoat." This to the driver, in a
cheery tone.
The clerk was leaning over the counter, chewing a toothpick. Evidently
he took me for a drummer, for he stowed the bag behind the desk, and
hung the overcoat up on a nail in a side room opening out of the
office, and within reach of his eye.
When I registered my name it made no perceptible change in his manner.
He said, "Want supper?" with a tone in his voice that convinced me he
had not heard a word of the Event which brought me to West
Norrington--I being the Event.
Public-domain text, read in full here on John Shaqi.
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