The Other GirlsWhitney, A. D. T. (Adeline Dutton Train)
General
The Other Girls
Whitney, A. D. T. (Adeline Dutton Train)
Family life -- Fiction; Women -- Fiction
Did you ever contrast one of these trains--when perhaps you were
such traveller or excursionist--with the after, leisurely,
comfortable one at ten or eleven; when gentlemen who only need to be
in the city through banking hours, and ladies bent on calls or
elegant shopping, come chatting and rustling to their seats, and
hold a little drawing-room exchange in the twenty-five minutes'
trip?
If you have,--and if you have a little sympathetic imagination that
fills out hints,--you have had a glimpse of some of these "other
girls" and the thing that daily living is to them, with which my
story means to concern itself.
Have you noticed the hats, with the rose or the feather behind or at
top, scrupulously according to the same dictate of style that rules
alike for seven and ten o'clock, but which has often to be worn
through wet and dry till the rose has been washed by too many a
shower, and the feather blown by too many a dusty wind, to stand for
anything but a sign that she knows what should be where, if she
only had it to put there? Have you seen the cheap alpacas, in two
shades, sure to fade in different ways and out of kindred with each
other, painfully looped in creasing folds, very much sat upon, but
which would not by any means resign themselves to simple smoothed
straightness, while silks were hitched and crisp Hernanis puffed?
Yet the alpacas, and all their innumerable cousinhood, have also
their first mornings of fresh gloss, when the newness of the counter
is still upon them; there is a youth for all things; a first time, a
charm that seems as if it might last, though we know it neither will
nor was meant to; if it would, or were, the counters might be taken
down. And people who wear gowns that are creased and faded, have
each, one at a time, their days of glory, when they begin again. The
farther apart they come, perhaps the more of the spring-time there
is in them.
Marion Kent bloomed out this clear, sweet, clean summer morning in a
span new tea-colored zephyrine polonaise with three little frills
edged with tiny brown braid, which set it off trimly with the due
contrasting depth of color, and cost nearly nothing except the
stitches and the kerosene she burned late in the hot July nights in
her only time for finishing it. She had covered her little old
curled leaf of a hat with a tea-colored corner that had been left,
and puffed it up high and light to the point of the new style, with
brown veil tissue that also floated off in an abundant cloudy grace
behind; and she had such an air of breezy and ecstatic elegance as
she came beaming and hastening into the early car, that nobody
really looked down to see that the underskirt was the identical
black brilliantine that had done service all the spring in the
dismal mornings of waterproofs and india-rubbers and general damp
woolen smells and blue nips and shivers.
Public-domain text, read in full here on John Shaqi.
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