Murder -- Fiction; San Francisco (Calif.) -- Fiction
The palm, the cypress hedges, the sunny conservatory, the low, long
rooms beyond it, the dark hall, and narrow, precipitous stair were
always adorably the same. But around them the city was growing with
such speed that each time I returned I had to learn to know it afresh.
Already there were several blocks of houses beyond ours, and the second
year I came home from the convent Hallie Ferguson told me her father
was going to move because there was a gambling-house going up across
the street from them, "and build," Hallie expressed it, "in a more
fashionable neighborhood."
It was at the foot of Chestnut Street Hill their new house was
building, and that vacation we used often to walk over with
Abby--Estrella, Hallie and I--across the city and across the North
Beach district--to play in the building house. It was going up with
the same furious speed that was accomplishing the whole city. It
seemed that we had hardly stopped looking through the skeleton supports
at the bay before the plaster was drying on the solid walls; that we
had hardly ceased walking on the great naked flooring beams before the
smooth floor itself was palpitating under the feet of the dancers at
the housewarming.
I remember sitting up with Hallie through the earlier part of that
evening, and with a sort of worship, looking for the first time at
women with uncovered necks and arms emerging white as wax from their
diaphanous or glittering gowns. To me they were radiant, transported
to a sphere of existence beyond my own, something I never would attain
to. I recall them as a vague, dreamlike spectacle. In all of it there
is but one incident that I remember clearly; and that is, when whirling
out of the crowd and into an empty space, that the dancers had left
clear for a moment, came a couple--a large blond girl and a young man,
a boy, hardly as old as she, but so handsome, so dark, so full of life,
and a sparkling sort of mischief, that it made one feel quite gay just
to look at him. As they danced past the place where Hallie and I were
sitting he was holding his partner's gauzy train in his long, fine
fingers, and they went by us laughing.
"Who is that?" I whispered.
"That's Johnny Montgomery," Hallie whispered back.
"Who's he?"
"Why don't you know?" Hallie cried. She dearly loved to give
information. "The Montgomerys were one of the very best families here;
and he's the last of them. Old lady Montgomery died the year we went
away to school, and he had heaps of money--but he lost it."
My sole performance in this line had been the dropping of a two-bit
piece down a crack in the board walk, and before I had time to ask how
Johnny Montgomery had managed to lose sight of "heaps," Mr. Ferguson
came up and asked, "Don't you little girls want some ice-cream?" so I
forgot to say any more about it.
Public-domain text, read in full here on John Shaqi.
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