Christianity, Conversion to -- Fiction; India -- History -- British occupation, 1765-1947 -- Fiction
It was very gratifying to be treated as the master of the house. Sooba
revelled in the situation, and swaggered about among his guests as if
he already owned his brother's wealth. It all helped to sooth the
wounded self-esteem; and to soften the memory of the insults he had
received at the hands of Mrs. Hulver.
The afternoon had been chosen for the ceremony; but ever since daybreak
active preparations had been in progress. The victim had undergone
ceremonial ablutions; her hair had been combed and oiled and her whole
person scented. The long glossy strands of hair were plaited and in
the plaits were woven white jasmine blossoms. Gold ornaments freshly
burnished were fastened on her head and in her ears and nostrils.
A close-fitting jacket of crimson satin and a rich tawny silk saree the
colour of wall-flowers enfolded her figure. Round her neck hung four
beautiful necklaces of pearl and gold and precious stones, all of which
had adorned Gunga on her wedding day many years ago. Ankles and wrists
were laden, and Dorama's slender fingers were filled to the first joint
with rings that were heirlooms. Her forehead was rubbed with sweet
sandalwood paste, her lips touched with rouge, and the beautiful brown
eyes intensified in size by dark touches beneath them. They needed no
pungent juices to make them bright. The unshed tears were sufficient
to keep them moist.
The assembled guests had had time to dine and afterwards to talk over
all the news. Many had paid a visit to the well down which they
glanced morbidly at the root where the cap was found hanging. By half
past three the waiting began to grow irksome, and enquiries were made
for the widow. She was coming! they were told. It had taken long to
fasten all the jewels. There were so many! not one worn on the wedding
day was missing; and in addition she wore others that were purchased
for her when her son was born.
The mention of little Royan was the signal for sighs and lamentations.
They were interrupted by the appearance of Dorama led by her aunt.
Dressed as when she was given to her husband she stood before them, her
eyes downcast and brimming with tears, her delicate fingers plucking
nervously at the folds of her saree.
At the sight of her the women burst into open wailing. Some of them
pressed forward and cracked the joints of their knuckles over her head
as though they would still try to avert her hideous fate. Others
kissed her cheek and hair, her soft arms, even the gold embroidered
edge of her saree. Tears flowed freely; the sight of the grief of
others opened the fountain of her own sorrow, and Dorama wept with them.
It was a pathetic sight; the girl dressed in bridal array for the last
time in her young life, and the sympathetic company bewailing her fate.
Public-domain text, read in full here on John Shaqi.
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