Christianity, Conversion to -- Fiction; India -- History -- British occupation, 1765-1947 -- Fiction
A golden ray of the afternoon sun shot slanting downwards into the
courtyard and caught the gleaming jewellery, reddening the rich tint of
her silk garment, and warming the lights in the precious metal. Here a
crimson ruby sent out a shaft of fire; there a green emerald and blue
sapphire set in gold completed the rainbow colours.
The company revelled in the luxury of grief and prolonged the
leave-taking, repeating over and over again their sorrow and regret
that the gods had dealt thus hardly with her. Then as the sun drew
down towards the west, she was led by her uncle and aunt through the
little yard and into Ananda's room. The company followed, and the
space was quickly filled with the throng of sightseers still wailing
and weeping without restraint. The green foliage of the gourd was
trodden down; its fruit and yellow blossoms were crushed under careless
feet as the crowd pressed forward to see the degrading rites that were
to be carried out by the two relatives who had constituted themselves
master and mistress of the ceremonies.
First the jewels were removed. One by one they were unclasped and
handed to members of the family to be held in safe keeping till they
could be restored to the jewel chest. Every woman rich or poor wears a
few dark bangles of glass. Among the golden circlets on her arms
Dorama had three or four such rings on each wrist. With every movement
the bangles clinked musically as they fell against the gold bracelets.
Armed with a stone her aunt seized her by the hand and struck the
brittle glass sharply. At the sound of the blows the wail of grief was
again raised. This was the first act in the tragedy.
Denuded of all her adornments she was next disrobed. The coloured
jacket was removed; the silk saree unwound from her limbs. A coarse
rough cloth of unbleached cotton was produced and twisted round her
figure. Widowhood permitted but one garment; nevermore would she be
allowed to wear jacket or petticoat or any soft material that might
protect her sensitive skin from the rough web of the cotton saree.
This was the second act.
The third, by far the worst part of the ordeal, was still to come. Her
abundant hair was unplaited slowly and the sweet jasmine blossoms that
had been woven into it dropped upon the ground at her feet, where they
lay all unheeded, contaminated and cursed by the touch of the widow.
Again the women crowded closely, some of them lifting the tresses to
their lips, with lamentations that one so young and beautiful should
meet with such misfortune.
Public-domain text, read in full here on John Shaqi.
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