The Oxford Circus: A Novel of Oxford and YouthMiles, Hamish
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The Oxford Circus: A Novel of Oxford and Youth
Miles, Hamish
College stories; University of Oxford -- Fiction
There was a pregnant pause. David emptied his tumbler, buttoned up his
jacket, and came down the familiar staircase. With no eyes for the
evasive beauty of the college chapel, its buttresses and architraves
now luteously entwined with wreathes of yellow fog, he crossed the
dusk-filled quadrangle towards Mongo’s lighted window, puzzled a
little.…
* * * * *
What days of rich imaginings these were that now came for Gaveston in
this Lenten term! How glad and mad and bad it all was! How crowded
these weeks where bizarrerie vied with bizarrerie and whimsey with
whimsey!
First there were books to be bought, were there not? Yes, and bound
too in silks and skins marblings fitted to their strangely varying
contents. And from the gloomy recesses of Chaundy and the mediæval
crypts of Gadney, he brought forth sets of Harland and Crackenthorpe,
and all the fascinating chronicles of Sherard and Douglas, Ransome and
Crosland, in whose controversial lore he soon became an adept. His
shelves bent beneath the crowding volumes of Johnson and Davidson and
Dowson and the rarer reprints of the Yellow Book, and soon all the
erudition of the Symonses (John Addington and Arthur), was mastered
by the young neophyte. And at the last, impatient of so much heavy
insularity, he added to his arcana the Oriental canticles of Masoch,
the infamous Lesbia’s archipelagian lyrics, the voluptuous and
untranslatable masterpieces of Maeterlinck and Le Gallienne.
Assiduously too he collected obscure texts from the Silver Age of
every tongue, and the declining decades of every century yielded him
their rich harvests of perverse and curious fruits. He delighted,
for instance, to pore over the Forty-Seven Books of the Eroticks of
Kottabos the Syracusan. Recumbent upon a score of Liberty cushions, and
meshed in the twining thuriferal fumes of musk and attar and patchouli,
Gaveston would ponder upon the corrupt and fetid beauty of the
Sicilian’s style, so perfect in its diliquescence that it might almost,
he thought, have lain undredged down all these centuries in the green,
aqueous silence of some Mediterranean sea-cavern, encrusted by the
scum of putrescent molluscs, nibbled by creatures that fantastically
goggled, and spawned upon by medusas with transparent tentacular heads.
And he remembered how the unique manuscript had been snatched from the
flames of fire-doomed Alexandria by the monks of Santa Frustrata in
Abyssinia, and lay long concealed in their dove-shaped reliquary of
scented cedar-wood, until ’twas ravished from them at the sword’s point
by a Borgia, who sought it for the hands of a certain courtesan of
Ephesus, and how she, after the fashion of her kind, had bartered it
for sables and mummia to a Jew merchant from Novgorod, and how through
his trafficking it came to the stockaded palace of the Great Cham of
Tartary and thence to the conquering Mpret of Kamschatka. It had later
been published in more accessible form by a Mr.
Public-domain text, read in full here on John Shaqi.
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