No hammer fell, no ponderous axes swung; Like some tall palm the mystic fabric sprung. Majestic silence. This happy reference to the manner of building of Solomon's Temple was suggested by Sir Walter Scott. Another almost historic occasion in the Sheldonian was when, at a Diocesan Conference, the late Lord Beaconsfield made his well-known declaration, 'I for my part prefer to be on the side of the angels.' But these scenes only indirectly touch Oxford. More intimately connected with her history are the famous Proctorial Veto of 1845, when Dean Church and his colleague saved Tract No. 90 from academic condemnation, and the stormy debates of twenty years ago, when the permission to use Vivisection in the University Physiological Laboratory was only carried after a struggle in which the Odium Scientificum showed itself capable of an unruliness and an unfairness to opponents which has left all displays, previous or subsequent, of Odium Theologicum far behind. [Sidenote: Commemoration Scenes.] There is no doubt that the organized medical vote on that occasion holds the record for noise in the Theatre. And the competition for the record has been and is still severe; every year at Commemoration, we have a scene of academic disorder, which can only be called 'most unbecoming of the gravity of the University', to use John Evelyn's words of the performance of the Terrae Filius at the opening of the Sheldonian. It is true that the proceedings of the Encaenia have been always able to be completed, since the device was hit on of seating ladies freely among the undergraduates in the upper gallery; this change was introduced in 1876. The disorder of the undergraduates' gallery had culminated in 1874, and in 1875 the ceremony was held in the Divinity School. But the noise is as prevalent as ever, and it must be confessed that undergraduates' wit has suffered severely from the feminine infusion. However, our visitors, distinguished and undistinguished alike, appreciate the disorder, and it certainly has plenty of precedent for it in all stages of University history. But the Sheldonian has more harmonious associations. Music was from the first a regular feature of the Encaenia, and compositions were written for it. The most famous occasion of this kind was in July, 1733, when Handel came to Oxford, at the invitation of the Vice-Chancellor, to conduct the performance of some of his works; among these was the Oratorio _Athaliah_, especially written for the occasion. Handel was offered the degree of Doctor of Music, but (unlike Haydn) declined it, because he disliked 'throwing away his money for dat de blockhead wish'. [Sidenote: Convocation House.]