Degrees, Academic; University of Oxford -- Degrees
The architecture of the School makes it the finest room which the
University possesses. It was building through the greater part of the
fifteenth century, which Professor Freeman thought the most
characteristic period of English architecture; and certainly the
strength and the weakness of the Perpendicular style could hardly be
better illustrated elsewhere. The story of its erection can be largely
traced in the _Epistolae Academicae_, published by the Oxford Historical
Society; they cover the whole of the fifteenth century, and though they
are wearisome in their constant harping on the same subject--the
University's need of money--they show a fertility of resource in
petition-framing and in the returning of thanks, which would make the
fortune of a modern begging-letter writer, whether private or public.
The earliest reference to the building of the proposed new School of
Divinity is in 1423, when the University picturesquely says it was
intended 'ad amplianda matris nostrae ubera' (so many things could be
said in Latin which would be shocking in English). In 1426 the
Archbishop of Canterbury, Chichele, is approached and asked 'to open
the torrents of his brotherly kindness'. Parliament is appealed to, the
Monastic Orders, the citizens of London, in fact anybody and everybody
who was likely to help. Cardinal Beaufort gave 500 marks, William of
Waynflete lent his architectural engines which he had got for building
Magdalen--at least he was requested to do so--(1478), the Bishop of
London, by a refinement of compliment, is asked to show himself 'in this
respect also a second Solomon'. [The touch of adding 'also' is
delightful.] The agreement to begin building was signed in 1429, when
the superintendent builder was to have a retaining fee of 40_s._ a year,
and 4_s._ for every week that he was at work in Oxford; the work was
finally completed in 1489. And the building was worthy of this long
travail; its elaborate stone roof, with the arms of benefactors carved
in it, is a model at once of real beauty and of structural skill.
[Sidenote: History of the Divinity School.]
Public-domain text, read in full here on John Shaqi.
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