Presently he drew the animal in and suffered him to walk. During the run he had had no time to think; he had been occupied only in keeping the horse he rode out of the way of vehicles, and in preventing that possible cropper which comes when we expect it least. But as the cob began to walk, the present returned to him with a rush. About the animal's neck the fretting of the reins had produced a lather; the breeze had died away. Mistrial felt overheated too, and he drew out a handkerchief and wiped his face. Even while he drew it from his pocket an idea came to him, fluttered for a second as ideas will, and before he got the handkerchief back it had gone, leaving him just a trifled dazed. But in a moment he called to it, and at his bidding it returned. It was minute, barely fledged as yet; but as the horse jogged on, little by little it expanded, and to such an extent that before he reached the park its pinions stretched from earth to sky. Whoso is visited with inspirations knows with what diabolical swiftness they can enlarge and grow. When Mistrial put the horse back in the stable the idea which at first he had but dimly intercepted possessed him utterly. It succeeded even in detaining his step: he walked up the street instead of down; at a crossing he hesitated; night had come, and as he loitered there, suddenly the whole avenue was bright as day. The vengeance which not an hour before he could have wreaked on Thorold seemed now remote and paltry too. There need be no shedding of blood, no scandal, no newspaper notoriety, no police, no coroner to sit upon a corpse, no jury to bring a verdict in. There need be nothing of this: a revenge of that order was in bad taste, ill-judged as well. To make a man really suffer, sudden death was as a balm in comparison to some subtle torment that should gnaw at the springs of life, retreat a moment, and then returning make them ache again, and still again, forever his whole life through. The French woman is not so ill-advised when she pitches a cup of vitriol in her betrayer's face. In Spain, in Italy even, they stab; the deed is done; the culprit has had no chance to experience anger, pain even, or remorse. He is dead. The curtain falls. But a revenge that blasts and corrodes, one that leaves the victim living, sound in body and in limb, and yet consumed by an inextinguishable regret, burning with tortures from which he can never escape--a thing like that is the work, not of an apprentice, but of a master in crime. Yet when the victim receives that cup of vitriol, not from another's hands, but from his own; when he has been lured into devastating his own self;--it is no longer a question of either apprentice or of master: it is the artist that has been at work. To gain the Dunellen millions was to Mistrial a matter of paramount importance; but to gain them through the instrumentality of the man whom he hated as no one ever hates to-day, particularly when that man was the