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THE PAGANS
By
Arlo Bates
The web of our life is a mingled yarn, good and ill together.
_All's Well That Ends Well_; iv--3
DEDICATION.
To those who would be Pagans, did any such organization
exist, I take pleasure in offering this attempt to picture a phase
of life which they know.
She answered, "cast thy rosary on the ground; bind on thy
shoulder the thread of paganism; throw stones at the glass of
piety; and quaff from a full goblet."
_Persian Religious Hymn._
CONTENTS.
I. SOME SPEECH OF MARRIAGE
II. THE HEAVY MIDDLE OF THE NIGHT
III. THE SHOT OF ACCIDENT
IV. AFTER SUCH A PAGAN CUT
V. THE BITTER PAST
VI. A BOND OF AIR
VII. IN WAY OF TASTE
VIII. THE INLY TOUCH OF LOVE
IX. VOLUBLE AND SHARP DISCOURSE
X. O, WICKED WIT AND GIFT
XI. WHOM THE FATES HAVE MARKED
XII. WHAT TIME SHE CHANTED
XIII. THE ASSAY OF ART
XIV. THIS IS NOT A BOON
XV. 'TWAS WONDROUS PITIFUL
XVI. CRUEL PROOF OF THIS MAN'S STRENGTH
XVII. THIS "WOULD" CHANGES
XVIII. BEDECKING ORNAMENTS OF PRAISE
XIX. NOW HE IS FOR THE NUMBERS
XX. THE WORLD IS STILL DECEIVED
XXI. HIS PURE HEART'S TRUTH
XXII. UPON A CHURCH-BENCH
XXIII. HEART-SICK WITH THOUGHT,
XXIV. IN PLACE AND IN ACCOUNT NOTHING,
XXV. THIS DEED UNSHAPES ME,
XXVI. THERE BEGINS CONFUSION,
XXVII. WEIGHING DELIGHT AND DOLE,
XXVIII. LIKE COVERED FIRE,
XXIX. A NECESSARY EVIL,
XXX. HOW CHANCES MOCK,
XXXI. HE SPEAKS THE MERE CONTRARY,
XXXII. A SYMPATHY OF WOE,
XXXIII. A MINT OF PHRASES IN HIS BRAIN,
XXXIV. HEART-BURNING HEAT OF DUTY,
XXXV. PARTED OUR FELLOWSHIP,
XXXVI. AS FALSE AS STAIRS OF SAND,
XXXVII. FAREWELL AT ONCE, FOR ONCE, FOR ALL AND EVER.
PAGANS
I.
SOME SPEECH OF MARRIAGE.
Measure for Measure, v--i.
A fine, drizzling rain was striking against the windows of a cosy third
floor sitting-room, obscuring what in pleasant weather was a fine
distant view of the Charles river. The apartment was evidently that of
a woman, as numerous details of arrangement and articles of feminine
use suggested; and quite as evidently it was the home of a person of
taste and refinement, and of one, too, who had traveled.
Arthur Fenton, a slender young artist, with elegant figure and deep set
eyes, was lounging in an easy chair in an attitude well calculated to
show to advantage his graceful outlines. For occupation he was turning
over a portfolio of sketches, whose authorship was indicated by the
attitude of the lady seated near by.
Public-domain text, read in full here on John Shaqi.
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