He looked down at his wife, who looked back smiling proudly. He
realized how pure, how tender, how true she was. He knew, too, that she
was daily and hourly weaving about him bands which held him captive to
beliefs which though true to her were the veriest falsehoods to him;
and that only his love of ease, his fatal complaisance, prevented his
rending these cords as did Samson the new ropes of the Philistines. He
realized that he was sacrificing his manhood, that he was bartering his
convictions for flattery and ease by allying himself to Calvin and his
following. He recalled Helen's remark that what is called being honest
with one's self is often the subtlest form of hypocrisy, and he did not
spare himself a single pang of self-humiliation and contempt; and then,
when he was full to the throat with self-loathing, he let his sensuous,
self-loving nature devise excuse and soothe his wounded vanity.
He looked into the fire with a smile of mingled bitterness and
complacency, half ashamed, half amused at the view which introspection
gave him.
But whenever into his musings came the thought of Helen it rankled like
a poisoned barb. For he secretly believed that Helen loved him, and
although if a man humiliates himself in the eyes of the woman he loves
it is as bitter as death; yet to prove unworthy in the sight of her who
hopelessly loves him, contains a more subtly envenomed shaft, which
wounds that most sensitive spot in a sensuous man's nature--his vanity.
XXXIV.
HEART-BURNING HEAT OF DUTY.
Love's Labor's Lost; i.--I.
That evening Helen too sat at home, alone and full of resistless
thoughts.
She had put the finishing touches to the _Flight of the Months_,
completing the work with scarcely less success than at first, and in
three days she was to sail for Europe. She had not allowed Dr. Ashton's
death to interrupt her work, the necessity of avoiding unpleasant
gossip which would be provoked by the disclosure of her relations with
the dead man, being sufficient reason why she should not change her
outward life. She quietly and rapidly completed the preparations for
departure, and already the feeling of severance from familiar scenes
cast its sadness over her.
Leaving the studio to-day, she had gone down to speak with Herman, whom
she wished to take the responsibility of the firing of the bas-relief.
When she had finished this errand she turned to a figure in terra-cotta
whose freshness showed that it had but recently come from the kiln.
"What is this?" she asked. "I have never seen it."
"It is a Pasht," the sculptor returned. "I modeled it as a wedding
present for Arthur Fenton, but luckily I did not get it done in time."
"Why 'luckily?'"
"Because I should be sorry to have given him any thing so closely
connected with the Pagans, as things have turned out."
Helen did not need to ask explanations of these words, although she did
not know how complete the breach between Fenton and his former friends
had become.
Public-domain text, read in full here on John Shaqi.
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