Married when scarcely more than a girl, shy, undeveloped and ignorant
of the world, Helen came from a secluded life, which had been pretty
equally divided between the library of her dead father and the woods
surrounding the country village where she lived. She had never even
fancied that she loved Dr. Ashton; but she had married him as she would
have obeyed any other command of the stern aunt who had presided
severely over her orphaned childhood. He, half-a-dozen years her
senior, had been enamored of her wonderful beauty and modest
intellectuality; and, being accustomed always to gratify the impulse of
the moment, he had married her with a precipitancy as characteristic as
it was reckless. It was owing to a certain mutual scorn of
conventionalities that Helen and her husband at length decided to
separate. Without the aid of the law and without scandal, they settled
back into single liberty, the wife taking again her father's name. They
had spent their married life abroad, where Dr. Ashton had remained
until a short time previous to the opening of our story, and as neither
husband nor wife had been in their single life known in Boston, and as
Helen was chary of new acquaintances, their relations had thus far
remained undiscovered. Helen, at least, recognized how improbable it
was that this secrecy would long remain inviolate, but she went quietly
on her way, letting events take their own course.
Arthur Fenton was an old friend of her husband whom Helen had met in
Europe, but had known intimately only during her Boston life. She had
found him sympathetic, responsive and entertaining, and as any lonely
woman clings to the companionship of an appreciative man, she had clung
to the friendship and comradeship of the artist.
Public-domain text, read in full here on John Shaqi.
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