"Ah! but it is," retorted he, quickly. "My allegiance is to the goddess
of 'winged words'; to the glorious mother of fictitious speech; to
Pasht, the goddess of splendid, golden lying. A lie is only the truth
agreeably and effectively told. _Vive la fausseté!_"
"Doubtless each interprets Pasht's attributes according to his own
light," Herman observed, a little grimly.
He was only half-pleased with Fenton's badinage. But the latter,
apparently, did not feel the thrust.
"Let him alone," Helen said, "he believes in nothing; he is a genuine
Pagan."
"You are wrong in your idea," was Fenton's swift reply. "A true Pagan
must have a belief in some god to take from his shoulders the burden of
personal responsibility, or he cannot be joyous as a Pagan should.
However, to-night I make myself believe that I believe something, so it
comes to much the same thing."
Helen turned and looked at him, attracted by some subtle quality in his
voice.
He was sitting sidewise in his chair, holding an ivory paper-knife in
his slender fingers. His cheeks burned, his eyes were bright, his lips
red. He had shaken off the depression which oppressed him earlier in
the evening. An air of joyous, quivering excitement pervaded him. He
threw up his head with a characteristic gesture, and looked about him
like one who has conquered in some desperate conflict.
"Come," the hostess said, wondering in what inward struggle he had come
off victor; "you promised to assist me with the coffee. I make no boast
of my house or my hospitality, gentlemen," she added, with a charming
glance around, "but I warn you in advance that not to admire my coffee
is to lose my friendship forever."
In answer to her ring, a servant brought in a small mortar and a pretty
little bowl of whole coffee, delicately browned, and scarcely cold from
its roasting. Arthur, who seemed acquainted with Mrs. Greyson's methods
of procedure, began to pound the berries, roasted to perfect crispness,
in the ebony mortar, reducing them to an almost impalpable powder,
which diffused upon the air the entrancing odor dear to the nostrils of
all artists.
The servant meantime had provided tiny cups, a little copper ibrik and
an alcohol lamp over which simmered a vessel of boiling water.
"Coffee should be prepared only over coals of perfumed wood," Helen
remarked as she measured into the ibrik the small spoonful of coffee
dust designed for a single cup. "But alcohol is the next best thing, it
burns with such a supernatural flame."
She put into the ibrik a measure of boiling water, rested it an instant
over the flame to restore the heat lost in the cooler copper, and then
poured the beverage into the egg-shell cup destined for it.
Public-domain text, read in full here on John Shaqi.
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