"You look as fresh as ever this morning," he said. "I feared that the
entertaining of such a company of Bohemians would have tired you out."
"No, indeed," she returned. "I am of far too much endurance to be worn
out by any thing of that sort. I have a drop of Bohemian blood in my
veins myself, I think, and I like to meet men as men--when they are
simply good fellows together, I mean. A woman usually sees men in an
attitude of either deference or defense, and there is something
inspiriting to her in being occasionally received as a comrade."
"There are few women who can be received so," returned Herman. "I
suppose it requires both an especial temperament and especial
experiences to render a woman capable of being a comrade to men."
The talk drifted away to general and indifferent subjects, broken here
and there by allusions and criticisms relating to the Flight of the
Months, and not infrequently dropping into brief silences. One of these
Herman broke by saying abruptly:
"You do not know how your song has haunted me all night. I have been
saying over and over to myself
'I strew these opiate flowers
On thy restless pillow.'
And, indeed, I longed for some such soporific myself before morning.
Your coffee or your song, or--yourself,"--he hesitated over the last
word--kept me very effectually awake."
"It must have been the coffee; there was little potency in either of
the other causes."
"There is much," he returned resolutely, advancing a step nearer. "Mrs.
Greyson, I have not wasted the night. I have thought out a great many
things; the first and chief being in regard to yourself."
His tone, the piercing glow of his eyes, warned Helen what was coming.
She thought of Ninitta, and retreated a step.
"It is true," the sculptor continued, as if answering the doubt implied
by her movement, "that I--"
The door opened softly and Ninitta came in.
His outstretched hand dropped; the words died upon his lips. He turned
from one woman to the other an appealing look of hopeless sadness and
left the studio in silence.
It was characteristic of Helen's generosity that her first thought
should be of the pain which Ninitta must feel. One glance at the model
was sufficient to show that the Italian had comprehended enough of the
interrupted scene to be made wretched; but it did not then occur to
Mrs. Greyson that to Ninitta's jealous soul, unsuspicious of Herman,
the only explanation of a fondness between the sculptor and his pupil
lay in an effort on the part of the latter to win from the model her
rightful and long betrothed lover.
XVI.
CRUEL PROOF OF THIS MAN'S STRENGTH.
As You Like It; i.--2.
Public-domain text, read in full here on John Shaqi.
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