Over her face came an inexplicable expression, which might be gloom or
exultation, and the tone in which she spoke was equally difficult of
interpretation. She seemed determined, however, to fall into no snares
of speech; she smiled upon the sculptor with a glance at once radiant
and perplexing.
She turned towards the new vase and began slowly to whirl the
modeling-stand upon which Herman had placed it. A thousand reflections
danced and flickered about the little room as it revolved in the
sunlight, glowing and glittering like the sparkles from a carcanet of
jewels. The fiery monsters seemed to twine and coil in living motion as
the light shone upon their emerald and golden scales and bristling
spines.
"I wonder if Eve's serpent was so splendid," Mrs. Greyson laughed,
twirling the stand yet faster upon its pivot. "Would I do for Mother
Eve, do you think?"
"If the power to tempt a man be the test," he retorted with an odd
brusqueness quite disproportionate to the apparent lightness of the
occasion, the dark blood mantling his face, "there can be no doubt of
it."
A swift change came over her at his words. She left the vase and stand
abruptly. She flushed crimson then grew pale and looked about her with
a half frightened glance, as if uncertain which way to turn. The
movement touched her companion as no words could have done.
"I beg your pardon," he muttered.
And with a still deeper flush on his swarthy cheek he turned abruptly
and quitted the room.
IV.
AFTER SUCH A PAGAN CUT.
Henry VIII.; i.--3.
"In the first place," said Edith Caldwell brightly, "you know, Arthur,
that I ought not to be in Boston at all, when I have so much to see to
at home; and in the second place Aunt Calvin is shocked at the
unconventionality of my being seen any where in public after the
wedding cards are out; but I was determined to see this picture. I saw
it when he had just begun it in Paris, you know, three years ago."
"As for being seen," Arthur Fenton returned, "we certainly shall never
be seen here. The Art Museum is the most solitary place in the city;
and as for conventionalities, why, the wedding is so quiet and so far
off that I think nobody here even realizes that the stupendous event is
imminent at all."
"Oh, but I do," Edith said, laughing and clasping her hands with a
pretty gesture of mock despair. "I feel that the day of my bondage is
advancing with unfaltering tread, like the day of doom."
"Then you should do as I do by the day of doom, disbelieve in it
altogether until it comes."
"It is of no use. Even disbelief will not alter the almanac, as you'll
find when the day of doom swoops down on you."
Public-domain text, read in full here on John Shaqi.
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