The chieftain comes forward to welcome us—a tall, well-made man, blue
of eye, with long, fair hair and a tawny moustache of which he is vastly
proud. Over his flame-red blouse, which is belted at the waist, is a
twisted _torque_ of gold, cunningly fashioned and adorned with beautiful
tracery; across his blouse is thrown a tartan plaid fastened at the
shoulder by a brooch of polished boar tusk. His trousers fit closely to
the ankles, and are so characteristic an article of his attire that he
is known as “wearer of breeches” in distant Rome. Where his skin is
bare, we notice that it is painted with patterns of blue. He greets us
heartily, and a slave at his direction hands us a great silver-rimmed
horn filled with mead.
His wife shares in the welcome. She is a robust, healthy matron, fit
mother of her stalwart sons, who she prays may grow up as heroes, and do
ere long some doughty deed which shall entitle them to the heroic names
which they have yet to possess. When the day’s work is done, she will
gather them about her knees and recite the wild legends of their sires,
whose mighty feats of war still inspire young Britons to the fray. She
wears a tunic with a scarf of red-striped plaid fastened by a pin of
bronze. A string of dusky pearls hangs about her neck, and spiral rings
of silver adorn her fingers. The ivory bracelets and the amber beads
which she proudly wears have been brought from afar by the traders who
visit the town from time to time.
The wife is mistress of the home. She has the management not only of all
household affairs, but, as she is the wife of a warrior, the care and
direction of the whole concerns of the family both indoors and out. She
and her sisters spin, knit, weave, dye, sow, cook, grind corn, and milk
the cows—indeed do most of the hard work that is done. Her husband
considers field-labour and farm-work entirely beneath his dignity. War
and hunting are his work, and right well does he excel in both. Probably
safely housed in a hut hard by is his precious scythe-wheeled chariot,
in which he goes forth to war when the horn is sounded, the shield is
struck, and the _cran-tara_—the “fiery cross”—is sent through the
tribe as a call to arms. He and his fellow-warriors spend much time in
their warlike exercises; the slaves, the weaklings, and the old men tend
the flocks and herds and conduct the tillage.
Public-domain text, read in full here on John Shaqi.
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