The Palace and Park: Its Natural History, and Its Portrait Gallery, Together with a Description of the Pompeian CourtLatham, R. G. (Robert Gordon)
History
The Palace and Park: Its Natural History, and Its Portrait Gallery, Together with a Description of the Pompeian Court
Latham, R. G. (Robert Gordon)
Crystal Palace (Sydenham, London, England)
We now arrive at Border No. 13, opposite the Stationery Court, the
largest and most prominent tree in which is the _Eucalyptus globulosus_,
or Blue Gum-tree of Australia. This plant has already attained the
height of 80 feet, and is but five years’ growth. In its natural state
this is a Mammoth tree. Mr. Backhouse, the traveller, has described one
of this kind, which was nearly as high as the great Water Towers at the
Crystal Palace, being 250 feet, with a circumference at the base of 70
feet. But this was most probably an exceptional specimen. They are most
frequently not more than half that size. The common Myrtle is the type
of the class to which this tree belongs; but it is the largest of the
myrtaceous plants. The _Eucalypti_ constitute four-fifths of the forests
of New Holland. Gum is procured from this tree in large quantities.
Round the column, in the corner of Border No. 13 _a_, is a fine plant of
the Cape Gooseberry, which bears a beautifully acid fruit, much esteemed
by some. The fruit is curiously inclosed in an inflated capsule.
Although called the Cape Gooseberry, this plant is originally from
Australia. In this Border are various specimens of New Zealand and
Australian plants. The remaining Border, before we enter the Central
Transept, is filled mostly with a collection of large _Acacia_. Having
crossed the Central Transept, as we proceed toward Border No. 19, which
is in front of the Egyptian Court, we pass Border No. 17, which is
filled with _Eucalypti_, as that in a corresponding position on the
other side of the Transept is with _Acaciæ_.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account