The Palace and Park: Its Natural History, and Its Portrait Gallery, Together with a Description of the Pompeian CourtLatham, R. G. (Robert Gordon)
History
The Palace and Park: Its Natural History, and Its Portrait Gallery, Together with a Description of the Pompeian Court
Latham, R. G. (Robert Gordon)
Crystal Palace (Sydenham, London, England)
As soon as the glass structure was sufficiently advanced, the valuable
productions of art which Messrs. Jones and Wyatt had acquired abroad
rapidly arrived, and being received into the building, the erection of
the Fine Art Courts commenced. To carry out these works, artisans of
almost every continental nation, together with workmen of our own
country, were employed; and it is worthy of note, that although, but a
few years before, many of the nations to which these men belonged were
engaged in deadly warfare against each other, and some of them opposed
to our own country, yet, in the Crystal Palace, these workmen laboured
for months, side by side, with the utmost good feeling, and without the
least display of national jealousy.
To the whole of these workmen, foreigners and English, engaged in the
Crystal Palace, the Directors are anxious to express their obligations
and sincere acknowledgments. They recognise the value of their labours,
and are fully aware that, if to the minds of a Few the public are
indebted for the conception of the grand Idea now happily realised, to
the Many we owe its practical existence. Throughout the long and arduous
toil, they exhibited--allowance being made for some slight and perhaps
unavoidable differences--an amount of zeal, steadiness, and intelligence
which does honour to them, and to the several nations which they
represent. To all--their due! If the creations of the mind stand
paramount in our estimation, let appropriate honour be rendered to the
skill of hand and eye, which alone can give vitality and form to our
noblest conceptions. Of the advantages attendant on the erection of the
Crystal Palace, even before the public were admitted to view its
contents, none was more striking than the education it afforded to those
who took part in its production. For the first time in England, hundreds
of men received practical instruction--in a national Fine Art
School--from which society must derive a lasting benefit. It is not too
much to hope that each man will act as a missionary of art and
ornamental industry, in whatever quarter his improved faculties may
hereafter be required.
Public-domain text, read in full here on John Shaqi.
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