The Palace and Park: Its Natural History, and Its Portrait Gallery, Together with a Description of the Pompeian CourtLatham, R. G. (Robert Gordon)
History
The Palace and Park: Its Natural History, and Its Portrait Gallery, Together with a Description of the Pompeian Court
Latham, R. G. (Robert Gordon)
Crystal Palace (Sydenham, London, England)
On the right of the Rochester door is the finely designed monument of
Humphrey de Bohun, from Hereford Cathedral, with the effigy of the
knight in complete armour. Next to this, in the angle, we see the
recumbent figure of the “Boy Bishop” from Salisbury Cathedral. It used
to be the custom in the Catholic Church, annually to elect a bishop from
the children of the choir, who, throughout the year, kept all the state
of a regular bishop; and, in the event of his dying within the period of
his office, had his effigy erected as here we see. For further
particulars of this singular custom, see the “Handbook of the Mediæval
Court.” The door beyond corresponds to the one opposite; and further on,
near the cloister, is one of the doors of Lichfield Cathedral, with its
beautiful ironwork, the painting of which, to represent oak, is
remarkably clever; and a portion of Bishop Bubwith’s monument from
Wells. The exquisite niches and canopies round the walls of the court
are from Southwell Minster, Ely Cathedral, Beverley Minster, &c. The
statues on a line with, and corresponding to those on the monument of
Bishop Bubwith, are excellent examples of late Gothic work, from Armagh
Cathedral. The upper tier, consisting principally of sculpture, presents
valuable examples of that art. The large statues beneath the canopies
are from the façade of Wells; they are all of the highest interest with
reference to the history of sculpture in England. The floor presents a
remarkable and interesting series of the best sepulchral monuments of
the Gothic period which England possesses, viz., those of Queen Eleanor,
from Westminster; Edward II., from Gloucester; the celebrated monument
of William of Wykeham, from Winchester; and that of Edward the Black
Prince, in gilt armour and emblazoned surcoat, from Canterbury
Cathedral. The individuality observable in most of the faces indicates
that they are portraits. The very lovely face of the good Queen Eleanor
should not escape the notice of the visitor.
[Illustration: Elevation of English Mediæval Court towards the
cloister.]
Public-domain text, read in full here on John Shaqi.
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